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1. |
Record Nr. |
UNINA9910416518403321 |
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Autore |
Alibrandi Rosamaria |
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Titolo |
Le bonheur du plus grand nombre. Beccaria et les Lumières / / Philippe Audegean, Christian Del Vento, Pierre Musitelli, Xavier Tabet |
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Pubbl/distr/stampa |
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Lyon, : ENS Éditions, 2017 |
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ISBN |
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2-84788-884-5 |
2-84788-885-3 |
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Altri autori (Persone) |
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AudegeanPhilippe |
BarangerDenis |
CapraCarlo |
CarninoCecilia |
CaveChristophe |
CostaPietro |
DeliaLuigi |
DuthilleRémy |
FerrandJérôme |
FrancioniGianni |
GarlatiLoredana |
ImbrugliaGirolamo |
MusitelliPierre |
PorretMichel |
SalviÉlisabeth |
TavillaElio |
VillataMaria Gigliola di Renzo |
Del VentoChristian |
TabetXavier |
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Soggetti |
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Criminology & Penology |
Literature (General) |
Beccaria |
Lumières |
histoire du droit pénal |
peine de mort |
économie politique |
Enlightenment |
history of criminal law |
death penalty |
political economy |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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En quel sens peut-on dire que le petit livre de Beccaria, Des délits et des peines (1764), apparaît comme un geste de rupture ? La question intéresse notre modernité : en quel sens peut-on dire que ce livre est la source de notre droit pénal ?Le problème est abordé dans cet ouvrage à partir du constat suivant : dans l’Europe des Lumières, le livre de Beccaria a aussitôt été perçu comme un moment de seuil ou de passage. C’est donc en remontant à ses sources et en éclairant sa diffusion immédiate que les contributions rassemblées ici tentent d’évaluer sa nouveauté. Codification juridique, présomption d’innocence, laïcité du droit pénal, abolition de la peine de mort : comment Beccaria recueille-t-il un héritage tout en bouleversant un champ de discussions et de débats ?Œuvre singulière, aussi fulgurante par son style que par ses répercussions, Des délits et des peines apparaît comme un observatoire privilégié pour mieux comprendre la crise culturelle de la fin de l’Ancien Régime et la naissance de la culture contemporaine. |
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2. |
Record Nr. |
UNINA9910164244403321 |
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Autore |
Greenfield Robert |
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Titolo |
Bear : The Life and Times of Augustus Owsley Stanley III |
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Disciplina |
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Formato |
Musica |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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The creator of the dancing bear logo and designer of the Wall of Sound for the Grateful Dead, Augustus Owsley Stanley III, better known by his nickname, Bear, was one of the most iconic figures in the cultural revolution that changed both America and the world during the 1960s.Owsley's high octane rocket fuel enabled Ken Kesey and his Merry Pranksters to put on the Acid Tests. It also powered much of what happened on stage at Monterey Pop. Owsley turned on Pete Townshend of The Who and Jimi Hendrix. The shipment of LSD that Owsley sent John Lennon resulted in The Beatles' Magical Mystery Tour album and film.Convinced that the Grateful Dead were destined to become the world's greatest rock 'n' roll band, Owsley provided the money that kept them going during their early days. As their longtime soundman, he then faithfully recorded many of the Dead's greatest live performances and designed the massive space age system that came to be known as the Wall of Sound.Award-winning author and biographer Robert Greenfield's definitive biography of this Grateful Dead legend masterfully takes us through Owsley's incredible life and times. |
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