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Record Nr. |
UNINA9910461650303321 |
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Autore |
Kampa Stephen <1981-> |
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Titolo |
Cracks in the invisible [[electronic resource] ] : poems / / Stephen Kampa |
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Pubbl/distr/stampa |
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Athens, : Ohio University Press, 2011 |
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ISBN |
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Descrizione fisica |
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1 online resource (119 p.) |
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Collana |
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Hollis Summers Poetry Prize |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Aperture; I. Sightings; Phenomena, Numina, Startling Sparrows; Theodicy; 12:13 PM . . . 33° . . . Low-Interest Finance Offers Available . . . Happy Thanksgiving; Behold, I Come as a Thief; Oracle from the Throat of the Cornucopia; The Reclamation of Paradise; II. Sidewalk Chalk; After Grief; Twenty-First-Century Prothalamion; Temptation; Organic Decomposition; An Anatomy of Autonomy; Message on a Bottle; Not at the Grave of Dylan Thomas; Lines for an Inspirational Poster; III. Elegies and Valedictions; Upon First Viewing Ball of Fire; Soul; Upon Finishing Don Juan; Elegy for Paul deLay |
Dracula in Spanish: Imitations of ImmortalityIV. Voices in My Head; The Therapist on Teleology; Being Undressed; Masterpiece Interrupted by Hobo, Park Bench, 1999; The Nickname; Reading Pilgrim's Progress While Waiting to Be Tested for STDs; V. Absence Makes the Heart; XOXOXO; Patience; Streetlight and Stars; Nocturne in the Key of Water; Domestic Operetta for One Voice; VI. A Little Wind and Smoke; Autobiography; Mirror Image; A Closer Walk with Thee; Notes |
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Sommario/riassunto |
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Stephen Kampa's poems are witty and restless in their pursuit of an intelligent modern faith. They range from a four-line satire of office inspirational posters to a lengthy meditation on the silence of God. The poems also revel in the prosodic possibilities of English'shigh and low registers: a twenty-one line homageto Lord Byron that turns on three rhymes (one of which is "eisegesis"); a sestina whose end words include "sentimental," "Marseilles," and "Martian;" sapphics on the death of Ray |
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Charles; and intricately modulated stanzas on the 1931 Spanish-language movie version of Dracula. De |
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2. |
Record Nr. |
UNINA9910416481503321 |
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Autore |
Albert-Llorca Marlène |
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Titolo |
Sedes Sapientiae : Vierges noires, culte marial et pèlerinages en France méridionale / / Sophie Brouquet |
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Pubbl/distr/stampa |
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Toulouse, : Presses universitaires du Midi, 2019 |
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ISBN |
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Altri autori (Persone) |
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AnghebenMarcello |
BruNicolas |
Cassagnes-BrouquetSophie |
CzerniakVirginie |
FourniéMichelle |
GiraultPierre-Gilles |
HauwermeirenCorinne Van |
PasseratGeorges |
RubinMiri |
SouriacRené |
BrouquetSophie |
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Soggetti |
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Religion |
History |
culte marial |
pèlerinage |
Vierge noire |
religion |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Telle une idole, étrange et hiératique, une Vierge noire trône au chœur |
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d’une chapelle encombrée d’ex votos, accumulés autour d’elle au cours des siècles. À Meymac en Limousin, à Orcival en Auvergne, à Rocamadour en Quercy ou encore à Manosque en Provence, elle semble nous inviter à un mystérieux voyage dans le temps et l’imaginaire. Parmi les innombrables figurations de Marie, la Vierge noire tranche par son abstraction et sa pureté d’idole ; elle appartient à un temps où le dialogue avec l’autre monde, celui de l’au-delà, était encore possible et même quotidien. L’image dont il est question est bien sûr celle de la statue de bois trônant en Majesté, portant l’Enfant sur ses genoux, qui trouve une de ses expressions les plus emblématiques dans la statue de la Vierge noire de Rocamadour. |
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