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Record Nr. |
UNINA9910412459903321 |
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Autore |
Fellner Dieter |
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Titolo |
Proceedings of the 8th ACM/Eurographics Expressive Symposium on Computational Aesthetics and Sketch Based Interfaces and Modeling and Non-Photorealistic Animation and Rendering / / Dieter Fellner |
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Pubbl/distr/stampa |
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Goslar, Germany : , : Eurographics Association, , 2019 |
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Descrizione fisica |
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1 online resource (146 pages) |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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The 8th ACM/Eurographics Expressive Symposium (Expressive 2019) explores the capacity of computer graphics, animation, and computational media to be used in artistic, aesthetic, and creative ways. The field can be seen as encompassing problems in understanding, communication, and interaction. Expressive understanding integrates aspects of computer science, philosophy, psychology, and the fine, applied, and performing arts, investigating theoretical approaches that further our understanding of aesthetic evaluation, perception and meaning. Expressive communication focuses on imagery and motion which is expressive rather than photorealistic, although it may incorporate realistic elements. Expressive interaction explores models, algorithms, and technologies for sketch-based interfaces, particularly classifying and recognizing hand-drawn shapes as a way to create or edit digital models, text, mathematics, or 3D shapes. The Expressive Symposium fosters a dialogue between graphics researchers, human computer interaction researchers, and digital artists to explore the intersection of these expressive domains. This year marks the culmination of the multi-year union of three separate events: Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), and Sketch-Based Interfaces and Modelling (SBIM). The Expressive Symposium will carry on the tradition of multi-disciplinary excellence established by these |
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conferences. In addition to research contributions by scientists, the works presented in Expressive are often tightly coupled with the community of digital artists who employ research techniques in their craft. To encourage these collaborations, the Expressive Symposium incorporates artworks as part of its program alongside technical papers. All accepted works are presented on the same stage to foster dialogue and better understand each individual work in the larger context of the scientific and creative communities. |
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Record Nr. |
UNINA9910974662503321 |
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Titolo |
Microanalysis in music therapy : methods, techniques and applications for clinicians, researchers, educators and students / / edited by Thomas Wosch and Tony Wigram ; foreword by Barbara L. Wheeler |
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Pubbl/distr/stampa |
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London, : Jessica Kingsley, 2007 |
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ISBN |
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9786611105679 |
9781281105677 |
1281105678 |
9781846426674 |
1846426677 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (330 p.) |
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Altri autori (Persone) |
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WoschThomas <1966-> |
WigramTony |
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Disciplina |
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Soggetti |
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Music therapy - Instruction and study |
Music theory |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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front cover; Title Page; Contents; FOREWORD BY BABARA L. WHEELER; Chapter 1 Microanalysis in Music Therapy: Introduction and Theoretical Basis; Part One: Video Microanalyses; Chapter 2 An Ethnographic Descriptive Approach to Video Microanalysis; Chapter 3 Microanalysis of Preverbal Communication in Music Therapy; Chapter 4 Microanalysis on Selected Video Clips with Focus on Communicative Response in |
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Music Therapy; Chapter 5 Microanalysis of Interaction in Music Therapy (MIMT) with Children with Developmental Disorders |
Chapter 6 The "AQR-instrument" (Assessment of the Quality of Relationship) – An Observation Instrument to Assess the Quality of a Relationship Chapter 7 The Use of Improvisation Assessment Profiles (IAPs) and Rep Grid in Microanalysis of Clinical Music Improvisation; Part Two: Music Microanalyses; Chapter 8 Using Voice Analysis Software to Analyse the Sung and Spoken Voice; Chapter 9 Analysis of Notated Music Examples Selected from Improvisations of Psychotic Patients; Chapter 10 Musi |
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Sommario/riassunto |
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In the context of music therapy, microanalysis is the detailed analysis of that short period of time during a music therapy session during which some kind of significant change takes place. These moments are crucial to the therapeutic process, and there is increasing interest amongst music therapists in understanding how they come about and whether there are ways of initiating them. The contributors to this groundbreaking book look at methods of micro process analyses used in a variety of music therapy contexts, both clinical and research-based. They outline their methods, which include using |
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