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Record Nr. |
UNISA990001082520203316 |
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Autore |
BOUSQUET, Henri |
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Titolo |
Pathé Frères / Henri Bousquet, Riccardo Redi |
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Pubbl/distr/stampa |
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Firenze : Quaderni di cinema, copyr 1992 |
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Descrizione fisica |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Pathé <fratelli> -- Attività cinematografica |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910410649703321 |
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Autore |
Schultheis Franz |
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Titolo |
Art Unlimited? : Dynamics and Paradoxes of a Globalizing Art World / Franz Schultheis, Erwin Single, Raphaela Köfeler, Thomas Mazzurana |
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Pubbl/distr/stampa |
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Bielefeld, : transcript Verlag, 2016 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (264 pages) |
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Collana |
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Kulturen der Gesellschaft ; 20 |
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Disciplina |
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Soggetti |
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Sociology of Art; Art Market; Globalization; Ethnography; China; Art; Theory of Art; Sociology |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter 1 Contents 5 Preface 9 Introduction: Art unlimited? 17 Prospective territorial occupations 33 Voices from an emerging art |
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field 61 The Olympics of art in distant realms 219 Contemporary art and its Eastern public 227 A world turned upside down 237 Appendix 259 |
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Sommario/riassunto |
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Until recently still a blank spot on the world map of art, China today occupies one of the top positions in the rankings of the global art market and has moved into the center of the speculations and the covetousness of its protagonists. But what is really happening on the spot, beyond the ethnocentric distortions of the Western viewpoint? What social representations and uses of art can be identified? A research team from the University of St. Gallen has taken up such questions in an ethnographical field research project which enables the actors in this emergent and nonetheless already market-dominated art field to have their say. |
»Dank der ausführlichen Interviews ermöglicht das Buch lesenswerte Einblicke in die Situation der Kunstszenen und -märkte von Hongkong und Shanghai im Jahr 2014. Gleichzeitig bietet das Buch den in den Sozialwissenschaften seltenen Fall einer Argumentation, bei der das von den Autoren präsentierte Evidenzmaterial die eigene These widerlegt. Michael Hutter, www.sehepunkte.de, 18/2 (2018) »Das Verdienst der St. Galler Studie ist es, [...] Eindrücke mithilfe von Leitfragen zum kulturellen und ökonomischen Globalisierungsprozess zu kontextualisieren und zu interpretieren.« Barbara Basting, WOZ, 22.12.2016 |
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