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Record Nr. |
UNINA9910557888403321 |
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Autore |
Carter Elizabeth S |
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Titolo |
Catalogue and Systematics of Pliensbachian, Toarcian and Aalenian Radiolarian Genera and Species |
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Pubbl/distr/stampa |
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Ljubljana, : ZRC SAZU, Založba ZRC, 2006 |
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Descrizione fisica |
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1 electronic resource (446 p.) |
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Soggetti |
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Rocks, minerals & fossils |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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This volume comprises a catalogue of 90 genera, 274 species and 13 subspecies of Pliensbachian, Toarcian and Aalenian Radiolaria. Two genera, 37 species and 3 subspecies are new formal descriptions, 24 species are described in open nomenclature. Each taxon is presented with a complete and up-to-date synonymy, original description and original remarks (translated into English where necessary), subsequent emendations, remarks by the authors of this catalogue, and etymology. Descriptions of species/subspecies further contain the original measurements, type locality, and data on geographic distribution. Plates illustrate the holotype and one or several specimens from our material, from different paleogeographic realms where possible. The material was collected from 30 measured sections in the Circum-Pacific belt (Baja California Peninsula, Oregon, British Columbia, Japan) and the Tethyan realm (Oman, Turkey, Slovenia, Austria). Abbreviated locality information and a list of all treated taxa are given in the last two chapters.A useful book for paleontologists interested in taxonomy of Jurassic radiolarians. |
Katalog obsega 90 rodov, 274 vrst in 13 podvrst radiolarijev iz treh stopenj v spodnji in srednji juri: pliensbachija, toarcija in aalenija. Dva rodova, 37 vrst in 3 podvrste so formalno opisani novi taksoni, 24 vrst je opisanih v odprti nomenklaturi. Vsak takson je predstavljen z vso dosedanjo sinonimiko, originalnim opisom in originalnimi opombami (v prevodu, če originalni jezik ni angleščina), poznejšimi revizijami, |
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pripombami avtorjev tega kataloga in etimologijo. Opisi vrst in podvrst vsebujejo še originalne meritve, ime tipične lokalitete in podatke o geografski razširjenosti. Vsaka vrsta ali podvrsta je predstavljena s samostojno tablo, na kateri so slike holotipa in več primerkov iz naših vzorcev. Kjer je mogoče, so ilustrirani primerki z različnih paleogeografskih območij. Vzorci so bili pobrani na 30 profilih, posnetih v cirkumpacifiškem pasu (Kalifornijski polotok, Oregon, Britanska Kolumbija, Japonska) in v območju Tetide (Oman, Turčija, Slovenija, Avstrija). Dodatek na koncu knjige vsebuje kratek opis vzorčevanih profilov in seznam vseh obravnavanih taksonov. |
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2. |
Record Nr. |
UNINA9910404216303321 |
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Autore |
Luís Miguel Correia |
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Titolo |
Cadernos do Ceis 20 N.º 26: Monumentos do Salazarismo. Curta-metragem retrospetiva |
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Pubbl/distr/stampa |
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Coimbra University Press, 2019 |
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ISBN |
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Descrizione fisica |
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1 online resource (72 p.) |
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Collana |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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In the recent research work entitled Monuments, Territory and Identity in Estado Novo we have found that a specific political ideology materialised in the Portuguese spatial organisation based on the definition of a project towards the consciousness of a legacy, an unchallenged strategy devised in the early revival of a Portugueseness defended by the regime led by António de Oliveira Salazar. The notion of Estado Novo would thus be presumably seen as a personal programme seriously committed to nationalist and anti-democratic convictions, projected and sanctioned in a new Constitution responsible for imposing a tendentially totalitarian power. However, due to a number of episodes and facts surrounding the Dictatorship |
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period, such a plan for Portugal was implemented across the land through many and varied works and transformations, which certainly shaped the unmistakable images of the Salazarist Nation. They were known as portraits of Portugueseness, however, as we have found, they not only highlighted those much desired nationalist and regionalist features, but also revealed an international, modern, allegedly illegitimate and forbidden character. The campaigns for the reintegration of national monuments implemented under official technical guidance, which expressly ordered that all old and historical structures had to be returned to their original state, supported the required general aspect and fascistic plans from the North to the South of the territory. The energetic propaganda activity carried out in the first two decades by the Diário de Notícias special delegate, António Ferro, allowed the Portuguese people, and hopefully the world, to idealise about the fairy tale homeland that was believed to be under (re)construction. The ambition was to domesticate everyone's views of Portugal. To that end, commemorations, exhibitions, publications, awards and many other events were organised to disclose and popularise such an ideal. While the cinema, on a smaller scale, was not one of those privileged instruments of indoctrination, it nevertheless reproduced some frames that represented well the animated version of national life, especially through various documentaries on everyday life in the countryside, or the unparalleled history of monuments. Our purpose takes that line to uncover how this industry was appropriated for the sake of the irreproachable ideological myths mustered by the Estado Novo, and how the national monuments portrayed the idea of being Portuguese on canvas. This short-film retrospective of Salazarist Monuments consists of a total of fourteen documentaries shown at Cinemateca Portuguesa. |
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