1.

Record Nr.

UNINA9910404148703321

Autore

Gallucci Giovanni Paolo

Titolo

Gallucci’s Commentary on Dürer’s ’Four Books on Human Proportion’ : Renaissance Proportion Theory / Giovanni Paolo Gallucci

Pubbl/distr/stampa

Cambridge, : Open Book Publishers, 2020

ISBN

979-1-03-656079-8

1-78374-860-5

Descrizione fisica

1 online resource (xiv-209 p.)

Altri autori (Persone)

DürerAlbrecht

PaoloM[onsignor] Giovanni

Paolo GallucciGio

Paolo GallucciM[onsignor] Giovanni

SalodianoGallucci

HutsonJames

Soggetti

Arts & Humanities

Medieval & Renaissance Studies

Four Books on Human Proportion

arts education

beauty

proportion

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Sommario/riassunto

In 1591, Giovanni Paolo Gallucci published his Della simmetria dei corpi humani, an Italian translation of Albrecht Dürer’s Four Books on Human Proporti on. While Dürer’s treatise had been translated earlier in the sixteenth-century into French and Latin, it was Gallucci’s Italian translation that endured in popularity as the most cited version of the text in later Baroque treatises, covering topics that were seen as central to arts education, connoisseurship, patronage, and the wider appreciation of the studia humanitati s in general. The text centres on the relationships between beauty and proportion, macrocosm and microcosm: relationships that were not only essential to the visual arts



in the early modern era, but that cut across a range of disciplines – music, physiognomics and humoral readings, astronomy, astrology and cosmology, theology and philosophy, even mnemonics and poetry. In his version of the text, Gallucci expanded the educational potential of the treatise by adding a Preface, a Life of Dürer, and a Fifth Book providing a philosophical framework within which to interpret Dürer’s previous sections. This translation is the first to make these original contributions by Gallucci accessible to an English-speaking audience. Gallucci’s contributions illuminate the significance of symmetry and proportion in the contemporary education of the early modern era, informing our understanding of the intellectual history of this period, and the development of art theory and criticism. This is a valuable resource to early modern scholars and students alike, especially those specialising in history of art, philosophy, history of science, and poetry. As with all Open Book publications, this entire book is available to read for free on the publisher’s website. Printed and digital editions, together with supplementary digital material, can also be found at www.openbookpublishers.com