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1. |
Record Nr. |
UNINA9910511730203321 |
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Autore |
Murray Peter Durno |
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Titolo |
Nietzsche and the Dionysian : a compulsion to ethics / / by Peter Durno Murray |
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Pubbl/distr/stampa |
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Leiden, Netherlands ; ; Boston, Massachusetts : , : Brill-Rodopi, , [2018] |
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©2018 |
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ISBN |
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Descrizione fisica |
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1 online resource (377 pages) |
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Collana |
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Value Inquiry Book Series ; ; Volume 320 |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front Matter -- Copyright Page -- Dedication -- Contents -- Acknowledgements -- Abbreviations of Works by Nietzsche -- Introduction -- The Dionysian as an Ethical Sense -- Creature and Creator -- The Way of the Wanderers -- The Weight of Affirmation -- The Possibility of Self-Overcoming -- Towards a Practical Ethics of the Earth and Life -- Working for the Future -- Epilogue -- Back Matter -- Bibliography -- Index. |
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Sommario/riassunto |
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Nietzsche and the Dionysian argues that the shuddering mania of the affect associated with Dionysus in Nietzsche’s early work runs as a thread through his thought and is linked to an originary interruption of self-consciousness articulated by the philosophical companion. In this capacity, the companion can be considered a ‘mask of Dionysus’, or one who assumes the singular role of the transmitter of the most valuable affirmative affect and initiates a compulsion to respond which incorporates the otherness of the companion. In the context of such engagements, Nietzsche envisages ‘Dionysian’ or divine ‘madness’ within an optics of life, through which an affirmative ethics can be thought. The ethical response to the philosophical companion requires an affirmation of the plurality of life, formulated in the imperatives to be ‘true to the earth’ and ‘become who you are’. Such an ethics, compelled by the Dionysian affect, grounds any future for humanity in the affirmation of the earth and life. |
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2. |
Record Nr. |
UNINA9910372800803321 |
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Autore |
Sörgel Sabine <p>Sabine Sörgel, Johannes Gutenberg-Universität Mainz, Deutschland </p> |
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Titolo |
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Dancing Postcolonialism : The National Dance Theatre Company of Jamaica / Sabine Sörgel |
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Pubbl/distr/stampa |
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Bielefeld, : transcript Verlag, 2015 |
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2015, c2007 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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Collana |
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Classificazione |
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Disciplina |
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Soggetti |
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Theatre |
Dance |
Cultural Studies |
Postcolonial Studies |
Postcolonialism |
Theatre Studies |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Frontmatter 1 Table of Contents 5 Acknowledgements 7 Intro: Tracking the Cross-Cultural Field - The Journey to Jamaican Dance 9 On Creolization - Theorizing Caribbean Identity 23 Dance and Postcolonial Nationalism - Embodying Emancipation 43 Jamaica's National Dance Theatre Company - A Postcolonial Reading of the Repertoire 95 Coda: After the Journey - The Remains of the Dance... 209 Bibliography 213 Backmatter 230 |
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Sommario/riassunto |
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This book presents the first in-depth critical and historical examination of the internationally renowned National Dance Theatre Company of Jamaica (NDTC) in the context of postcolonial theatre. Combining a postcolonial theoretical framework with performance studies and dance analysis, the study examines the interrelationship of Jamaican modern dance theatre aesthetics and the Caribbean's complex cultural genealogy since 1492. Addressing issues of postcolonial nationalism and Jamaican identity politics, the book provides the first |
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comprehensive study of the NDTC's modern dance theatre works as it situates dance theatre choreography at the centre of postcolonial independence politics and cultural theory in the Caribbean. |
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