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1. |
Record Nr. |
UNINA9910324031403321 |
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Autore |
Braillon Charlotte |
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Titolo |
Droit et Justice en Afrique coloniale : Traditions, productions et réformes / / Bérangère Piret, Charlotte Braillon, Laurence Montel, Pierre-Luc Plasman |
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Pubbl/distr/stampa |
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Bruxelles, : Presses de l’Université Saint-Louis, 2018 |
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ISBN |
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Descrizione fisica |
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1 online resource (214 p.) |
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Altri autori (Persone) |
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Brunet-La RucheBénédicte |
LauroAmandine |
ManièreLaurent |
MontelLaurence |
PiretBérengère |
PlasmanPierre-Luc |
RenucciFlorence |
RousseauxXavier |
TousignantNathalie |
PiretBérangère |
BraillonCharlotte |
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Soggetti |
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History |
Law |
histoire du droit |
justice |
justice sociale |
gouvernement |
innovation |
colonisation |
Afrique |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Longtemps restés confidentiels, les domaines de l'histoire du droit et de la justice coloniale connaissent aujourd'hui une activité importante. Celle-ci est portée par l'effet conjoint de l'attention nouvelle qu'y portent les historiens du droit, du renouvellement des études africaines et coloniales francophones et de la visibilité récente que leur a apporté le cinquantenaire des indépendances africaines. Les historiens africanistes et les historiens du droit s'interrogent de concert sur les modes de production et de transformation du droit colonial et de la justice coloniale. Ces réalités les renvoient à la plasticité du droit, de l'administration comme des pratiques judiciaires dans le cadre de la rencontre coloniale où des intérêts gouvernementaux font face à des contraintes culturelles et territoriales locales inédites (coutumes, populations locales en résistance, difficile maîtrise du territoire, etc.). Les huit contributions de cet ouvrage interrogent les modes de production et d'évolution du droit et de la justice. Dans quelle mesure crée-t-on du neuf ? Recycle-t-on, adapte-t-on l'ancien, les héritages de métropole ? Par ailleurs, on peut observer le processus de création à l'œuvre, et s'interroger sur les contextes propices aux transformations juridiques et judiciaires, ainsi que sur les modes de création en eux-mêmes ; dans quelle mesure le fait colonial est-il un facteur d'innovation juridique, administrative et judiciaire ? Ces questions seront abordées dans une perspective attentive à la multiplicité des expériences et des modes de colonisation. |
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2. |
Record Nr. |
UNINA9910372799903321 |
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Autore |
Forrest Tara <p>Tara Forrest, University of Technology, Sydney </p> |
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Titolo |
The Politics of Imagination : Benjamin, Kracauer, Kluge / Tara Forrest |
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Pubbl/distr/stampa |
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Bielefeld, : transcript Verlag, 2015 |
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2015, c2007 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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Collana |
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Kultur- und Medientheorie |
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Classificazione |
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Disciplina |
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Soggetti |
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Movie |
Media |
Culture |
Literature |
Imagination |
Walter Benjamin |
Siegfried Kracauer |
Alexander Kluge |
Aesthetics |
Film |
Media Theory |
Media Philosophy |
Cultural Theory |
Media Studies |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Frontmatter 1 Contents 5 Introduction 9 Chapter 1: Benjamin, Proust and the Rejuvenating Powers of Memory 21 Chapter 2: The Politics of Aura and Imagination in Benjamin's Writings on Hashish 43 Chapter 3: "Reproducibility - Distraction - Politicization" 65 Chapter 4: "Film as the Discoverer of the Marvels of Everyday Life": Kracauer and the Promise of Realist Cinema 89 Chapter 5: On the Task of a Realist Historiography in Kracauer's History: The Last Things Before the Last |
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107 Chapter 6: From History's Rubble: Kluge on Film, History, and Politics 127 Chapter 7: Raw Materials for the Imagination: Kluge's Work for Television 149 Conclusion 169 Bibliography 175 Other Works Cited 191 Acknowledgements 193 |
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Sommario/riassunto |
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This book explores Walter Benjamin, Siegfried Kracauer and Alexander Kluge's analyses of the role that a rejuvenation in the capacity for imagination can play in encouraging us to reconceive the possibilities of the past, the present, and the future outside of the parameters of the status quo. The concept of imagination to which the title of the book refers is not a strictly defined, stable concept, but rather a term which is employed to refer to a capacity that facilitates both an active, creative relationship to one's environment, and a process of mediation between the outside world and one's own experiences and memories.Through a detailed analysis of their engagements with subjects that span a broad range of historical and thematic contexts (including topics as diverse as literature, children's play, film, photography, history, and television) the book charts the extent to which the concept of imagination plays a central role in Benjamin, Kracauer, and Kluge's explorations of a mode of perception and experience which could serve as a catalyst for the creation and sustenance of a desire for a different kind of future. |
»Beyond its immediate appeal to those interested in film and cultural theory will [this book] contribute well to the increasing interest in emergent studies, the interactions between literature, art, science and science philosophy.« |
Reviewed in:cultural studies review, 14/2, 9 (2008), Lisa McDonaldfsk Hamburg, 09.08.2009, Olaf Berg |
»Während die Verbindung von Benjamin und Kluge geläufig ist, so wird Kracauers spätes Werk zur Film- und Geschichtstheorie recht selten überhaupt wahrgenommen. Ihn mit Kluge und Benjamin zu verbinden, ist Forrest in ihrer Arbeit überzeugend gelungen.« |
Reviewed in:cultural studies review, 14/2, 9 (2008), Lisa McDonald |
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