Exit and voice : the paradox of cross-border politics in Mexico / / Lauren Duquette-Rury

• Record Nr.: UNINA9910365047803321
• Autore: Duquette-Rury Lauren
• Pubbl/distr/stampa: Oakland, : University of California Press, 2020; Oakland, California : , : University of California Press, , [2020]; ©2020
• ISBN: 0-520-32196-0
• Descrizione fisica: 1 online resource (vi, 286 pages) : illustrations; PDF, digital file(s)
• Disciplina: 304.80972
• Soggetti: Transnationalism - Political aspects - Mexico; Mexican Americans - Political activity; Emigration and immigration - Political aspects; Migration, immigration & emigration; Sociology
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. Local Democratic Governance and Transnational Migrant Participation -- 2. Decentralization, Democratization, and the Feedback Effects of Sending State Outreach -- 3. Micro-Politics of Substitutive and Synergetic Partnerships -- 4. Effects of Violence and Economic Crisis on Hybrid Transnational Partnerships -- 5. Synergy and Corporatism in El Mirador and Atitlan, Comarga -- 6. Systematic Effects of Transnational Partnerships on Local Governance -- Conclusion: The Paradox of Cross-Border Politics -- Data Appendix A: Comparative Fieldwork in Mexico -- Data Appendix B: Transnational Matched Survey Data Instrument -- Data Appendix C: Principal Component and Cluster Analysis Using Survey Data -- Data Appendix D: Mexican Panel Data, Mexican Family Life Survey, and Statistical Analyses -- Notes -- Bibliography -- Index
• Sommario/riassunto: "Exit and Voice is a compelling account of how Mexican migrants with strong ties to their home communities impact the economic and political welfare of those they leave behind. In many decentralized ; democracies like Mexico, migrants step in to supply public goods when local or state government cannot. Though migrants’ cross-border investments often improve citizens’ access to these goods and create a more responsive local government, their work allows them to unintentionally exert political engagement and power, undermining the influence of those still living in their hometowns. Exit and Voice sheds light on how migrant transnational engagement refashions the meaning of community, democratic governance, and practices of citizenship in the era of globalization.“An extraordinary analysis of what it means to be a migrant. Duquette-Rury gives us a text that goes well beyond the familiar, and situates the migrant in a complex set of vectors, both local and transnational, opening up the meaning of migration itself.” SASKIA SASSEN, author of Expulsions: Brutality and Complexity in the Global Economy“How do people who move to another country sometimes become more influential in the place they left? Exit and Voice combines surveys and lively details from original fieldwork to explore this paradox and identify the fragile pillars sustaining efforts to live in two worlds.” DAVID FITZGERALD, author of Refuge beyond Reach: How Rich Democracies Repel Asylum Seekers“Despite distance and difficulties, migrants around the world reach down into their pockets to help out the communities they left behind. Hoping that migration can spur development and possibly even democracy, scholars and policy makers find the effort laudable. But as Duquette-Rury demonstrates in this brilliant, beautifully written book, engaging from abroad is a challenging enterprise. A book to be savored by scholars and students alike.” ROGER WALDINGER, Distinguished Professor and Director of the UCLA Center for the Study of International Migration"

Hanguk Hip Hop : Global Rap in South Korea / / by Myoung-Sun Song

• Record Nr.: UNINA9910483299903321
• Autore: Song Myoung-Sun
• Pubbl/distr/stampa: Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019
• ISBN: 9783030156978; 3030156974
• Edizione: [1st ed. 2019.]
• Descrizione fisica: 1 online resource (202 pages)
• Collana: East Asian Popular Culture, , 2634-5943
• Disciplina: 306.484249; 781.649095195
• Soggetti: Ethnology - Asia; Culture; Music; Popular culture; Asian Culture; Popular Culture; Global and International Culture
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Nota di contenuto: 1. We All Made Us: Historicizing Hanguk Hip Hop -- 2. Made in Korea: Authenticity in Hanguk Hip Hop -- 3. From Hongdae to Sinchon: Space and Place in Korean Hip Hop -- 4. 2 Chainz & Rollies: Hip Hop as Self-Development Text in Neoliberal South Korea -- 5. Idol Rapper: K-Pop and the Production of Authenticity -- 6. Unpretty Rapstar: Gender and Representation in Korean Hip Hop -- 7. We All Made History: Globalizing Hanguk Hip Hop.
• Sommario/riassunto: How has Hanguk (South Korean) hip hop developed over the last two decades as a musical, cultural, and artistic entity? How is hip hop understood within historical, sociocultural, and economic matrices of Korean society? How is hip hop represented in Korean media and popular culture? This book utilizes ethnographic methods, including fieldwork research and life timeline interviews with fifty-three influential hip hop artists, in order to answer these questions. It ; explores the nuanced meaning of hip hop in South Korea, outlining the local, global, and (trans)national flows of musical and cultural exchanges. Throughout the chapters, Korean hip hop is examined through the notion of buran-personal and societal anxiety and uncertainty-and how it manifests in the dimensions of space and place, economy, cultural production, and gender. Ultimately, buran serves as a metaphoric state for Hanguk hip hop in that the genre continuously evolves within the conditions of Korean society. Myoung-Sun Song is Assistant Professor in the Department of American Culture at Sogang University, South Korea. She received her PhD in Communication from University of Southern California, USA. Her research focuses on the intersections of race, gender, sexuality, class, and (national) identity in Korean media and popular culture.