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1. |
Record Nr. |
UNINA9910348243103321 |
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Autore |
Bouju Marie-Cécile |
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Titolo |
Lire en communiste : Les maisons d’édition du Parti communiste français 1920-1968 / / Marie-Cécile Bouju |
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Pubbl/distr/stampa |
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Rennes, : Presses universitaires de Rennes, 2019 |
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ISBN |
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Descrizione fisica |
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1 online resource (362 p.) |
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Soggetti |
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History |
parti communiste |
édition |
lecture |
histoire culturelle |
éditeur |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Le Parti communiste français fut un éditeur prolixe. Cette facette d’une des forces politiques majeures de la France des années 1930 aux années 1980 est largement méconnue. Son activité – 14 maisons d’édition, 2 entreprises de diffusion, un réseau de librairies et un catalogue riche de plus de 3 700 titres au début des années 1970 – est exceptionnelle dans l’histoire de l’édition française contemporaine. Initialement dévouées à l’agit-prop et aux manuels de formation pour les militants communistes, ces structures éditoriales se sont transformées peu à peu en « maisons d’édition » – Librairie de l’Humanité, Bureau d’éditions, Éditions sociales internationales, Hier et Aujourd’hui, Bibliothèque française, Liberté, France d’abord, Cercle d’art, Éditeurs français réunis, La farandole… –, proposant essais, romans, livres pour enfant, livres d’art, accompagnant le PCF dans sa mutation en parti de masse. Mais ces évolutions ne sont pas toutes couronnées de réussite et l’attitude du PCF à l’égard de la lecture est longtemps ambivalente. De surcroît, le marché français du livre est loin d’être bienveillant à l’égard de ces maisons d’édition originales… À |
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partir de nombreuses sources variées et inédites, ce livre permet de redécouvrir une culture politique majeure, protéiforme, diffusée par un média rarement utilisé à cette échelle par des partis politiques, le livre. |
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2. |
Record Nr. |
UNINA9910791438403321 |
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Titolo |
Domestic violence in postcommunist states [[electronic resource] ] : local activism, national policies, and global forces / / edited by Katalin Fábián |
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Pubbl/distr/stampa |
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Bloomington, : Indiana University Press, c2010 |
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ISBN |
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1-282-97569-2 |
9786612975691 |
0-253-00473-X |
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Descrizione fisica |
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1 online resource (385 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Family violence - Europe |
Family violence - Asia |
Post-communism - Europe |
Post-communism - Asia |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction : the politics of domestic violence in postcommunist Europe and Eurasia / Katalin Fábián -- Transnational advocacy campaigns and domestic violence prevention in Ukraine / Alexandra Hrycak -- Global feminism, foreign funding, and Russian writing about domestic violence / Janet Elise Johnson and Gulnara Zaynullina -- Balancing acts : women's NGOs combating domestic violence in Kazakhstan / Edward Snajdr -- From Soviet liberation to post-Soviet segregation : women and violence in Tajikistan / Muborak Sharipova and Katalin Fábián -- The politics of awareness : making domestic violence visible in Poland / Thomas Chivens -- Domestic violence against women : when practice creates legislation in Slovenia / Sonja Robnik -- Reframing domestic violence : global networks and local |
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activism in postcommunist Central and Eastern Europe / Katalin Fábián -- The new wave : how transnational feminist networks promote domestic violence reform in postcommunist Europe / Laura Brunell and Janet Elise Johnson -- The European Union, transnational advocacy, and violence against women in postcommunist states / Celeste Montoya -- The promise and perils of international treaties / Olga Avdeyeva. |
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3. |
Record Nr. |
UNINA9910795538703321 |
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Autore |
Ouyang Lei |
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Titolo |
Music As Mao's Weapon : Remembering the Cultural Revolution / / Lei X. Ouyang |
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Pubbl/distr/stampa |
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Champaign, Illinois : , : University of Illinois Press, , [2022] |
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©2022 |
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ISBN |
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Descrizione fisica |
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1 online resource (176 pages) |
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Disciplina |
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Soggetti |
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Music - China - Political aspects - History - 20th century |
Music and state - China |
China History Cultural Revolution, 1966-1976 Music and the revolution |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Researching the Battlefield -- Music and Politics -- Memories of the Battlefield : "It's in Your Bones, It's in Your Blood" -- Music and Childhood -- Memories of the Battlefield : "Learning Music to Avoid Going 'Up to the Mountains and Down to the Countryside'" -- Music and Memory -- Memories of the Battlefield : "You Hear These Songs and You Are Inspired" -- Conclusions. |
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Sommario/riassunto |
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"China's Cultural Revolution (1966-1976) produced propaganda music that still stirs unease and, at times, evokes nostalgia. Lei X. Ouyang uses selections from revolutionary songbooks to untangle the complex interactions between memory, trauma, and generational imprinting among those who survived the period of extremes. Interviews combine with ethnographic fieldwork and surveys to explore both the Cultural Revolution's effect on those who lived through it as children and |
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contemporary remembrance of the music created to serve the Maoist regime. As Ouyang shows, the weaponization of music served an ideological revolution but also revolutionized the senses. She examines essential questions raised by this phenomenon: What did the revolutionization look, sound, and feel like? What does it take for individuals and groups to engage with such music? And what is the impact of such an experience over time? Perceptive and provocative, Music as Mao's Weapon is an insightful look at the exploitation and manipulation of the arts under authoritarianism"-- |
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4. |
Record Nr. |
UNINA9910824656403321 |
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Autore |
Matthiessen Sven |
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Titolo |
Japanese pan-Asianism and the Philippines from the late 19th century to the end of World War II : going to the Philippines is like coming home? / / by Sven Matthiessen |
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Pubbl/distr/stampa |
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Leiden, Netherlands ; ; Boston, [Massachusetts] : , : Brill, , 2016 |
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©2016 |
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ISBN |
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Descrizione fisica |
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1 online resource (255 p.) |
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Collana |
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Brill's Japanese Studies Library, , 0925-6512 ; ; Volume 53 |
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Disciplina |
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Soggetti |
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Regionalism - Asia - History |
Japan Relations Philippines |
Philippines Relations Japan |
Japan Foreign relations 1868-1912 |
Japan Foreign relations 1912-1945 |
Philippines Civilization American influences |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Preliminary Material -- 1 Introduction -- 2 Diverging Views Melting into One—The Perception of the Philippines in Japanese Pan-Asianist and Nationalist/Imperialist Thought, 1886–1931 -- 3 Traditionalists vs. Realists—‘Exoteric’ and ‘Esoteric’ Pan-Asianism and the Inclusion of the Philippines in an East Asian Bloc -- 4 The Occupation of the Philippines |
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-- 5 The Filipino Perspective -- 6 Summary and Conclusion -- Bibliography -- Index. |
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Sommario/riassunto |
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In Japanese Pan-Asianism and the Philippines from the Late 19th Century to the End of World War II – Going to the Philippines Is Like Coming Home? Sven Matthiessen examines the development of Japanese Pan-Asianism and the perception of the Philippines within this ideology. Due to the archipelago’s previous colonisation by Spain and the US the Philippines was a special case among the Japanese occupied territories during the war. Matthiessen convincingly proves that the widespread pro-Americanism among the Philippine population made it impossible for Japanese administrators to implement a pan-Asianist ideology that centred on a 'return to Asian values'. The expectation among some Japanese Pan-Asianists that ‘going to the Philippines was like coming home’ was never fulfilled. |
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