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1. |
Record Nr. |
UNINA9910347456803321 |
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Titolo |
La grande carestia irlandese (1845-1850) = = An gorta Mor / scritti di Carlo Cattaneo e John Stuart Mill |
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Pubbl/distr/stampa |
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Milano : La vita felice, 2016 |
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Descrizione fisica |
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Collana |
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Collocazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Contiene: Su lo Stato dell'Irlanda nell'anno 1844, di Carlo Cattaneo; Il grande male dell'Irlanda, di John Stuart Mill; Dei disastri dell'Irlanda negli anni 1846 e 1847, di Carlo Cattaneo |
Sul frontespizio le date (1845-1850) compaiono una sola volta |
Testo solo in italiano |
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2. |
Record Nr. |
UNISA996280174903316 |
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Titolo |
1974 IEEE Electromagnetic Compatibility Symposium record : San Francisco, California, July 16, 17, 18, 1974 |
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Pubbl/distr/stampa |
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New York : , : IEEE, , 2016 |
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c1974 |
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Descrizione fisica |
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1 online resource (366 pages) |
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Soggetti |
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Electromagnetic compatibility |
Electromagnetic interference |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910831033303321 |
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Titolo |
A companion to Hong Kong cinema / / edited by Esther M. K. Cheung, Gina Marchetti, and Esther C.M. Yau |
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Pubbl/distr/stampa |
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Chichester, West Sussex, [England] : , : John Wiley & Sons, , 2015 |
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©2015 |
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ISBN |
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1-119-06603-4 |
1-118-88354-3 |
1-118-88356-X |
1-118-88359-4 |
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Descrizione fisica |
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1 online resource (642 pages) |
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Collana |
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Wiley Blackwell Companions to National Cinemas |
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Disciplina |
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Soggetti |
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Motion pictures - China - Hong Kong - History and criticism |
Documentary films - China - Hong Kong - History and criticism |
Documentary films |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction / Esther M.K. Cheung, Gina Marchetti & Esther C. M. Yau -- Section A: Critical paradigms: defining Hong Kong cinema studies. Watchful partners, hidden currents: Hong Kong cinema moving into the mainland of China / Esther C.M. Yau -- The urban maze: crisis and topography in Hong Kong cinema / Esther M.K. Cheung -- Hong Kong cinema as ethnic borderland / Kwai-Cheung Lo -- Hong Kong cinema in the age of neoliberalization and mainlandization: Hong Kong SAR new wave as a cinema of anxiety / Mirana May Szeto & Yun-Chung Chen -- Commentary: dimensions of Hong Kong cinema / Sheldon Lu -- Section B: Critical geographies. Hong Kong cinema's exotic others: re-examining the Hong Kong body in the context of Asian regionalism / Olivia Khoo -- Animating the translocal: the Mcdull films as a cultural and visual expression of Hong Kong / Kimburley Wing-Yee Choi & Steve Fore -- Globalizing Hong Kong cinema through Japan / David Desser -- Creative cinematic geographies through the Hong Kong international film festival / Cindy Hing-Yuk Wong -- Postmodernity, Han normativity and Hong Kong cinema / Evans Chan -- Commentary: critical geographies / Stephen Yiu-Wai Chu -- The gendered body and queer configurations. Feminism, post-feminism, and Hong Kong women filmmakers / Gina Marchetti -- Love in the city: the placing of intimacy in urban romance films / Helen Hok-Sze Leung -- Regulating queer domesticity in the neoliberal diaspora / Audrey Yue -- Commentary: to love is to demand: a very short commentary / Shu-Mei Shih -- Hong Kong stars. Return of the dragon: handover, Hong Kong cinema, and Chinese ethno-nationalism / Paul Bowman -- Transitional stardom: the case of Jimmy Wang Yu / Tony Williams -- Camp stars of androgyny: a study of Leslie Cheung and Anita Mui's body images of desire / Natalia Siu-Hung Chan -- Cooling Faye Wong: a cosmopolitical intervention / Kin-Yan Szeto -- Commentary: Hong Kong stars and stardom / Gary Bettinson -- Section E: narratives and aesthetics. Making merry on time: a feast of nostalgia in watching Chinese New Year films / Fiona Yuk-Wa Law -- A pan-Asian cinema of allusion: Going home and Dumplings / Bliss Cua Lim -- Double agents, cameos, and the poor man's orchestra: music and place in Chungking Express / Giorgio Biancorosso -- Documenting sentiments in video diaries around 1997: archeology of forgotten screen practices / Linda Chiu-Han Lai -- Commentary: the dynamics of off-centeredness in Hong Kong cinema / Yingjin Zhang -- Section F: screen histories and documentary practices. The lightness of history: screening the past in Hong Kong cinema / Vivian P.Y. Lee -- The tales of Fang Peilin and Zhu Shilin: from rethinking Hong Kong cinema to rewriting Chinese film history / Ain-Ling Wong -- The documentary film in Hong Kong / Ian Aitken & Mike Ingham -- Representations of law in Hong Kong cinema / Marco Wan -- Commentary: cinema and the cultural politics of identity: Hong Kong no more? / Stephen Ching-Kiu Chan. |
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