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1. |
Record Nr. |
UNINA9910878984603321 |
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Titolo |
Circular Bioeconomy Perspectives in Sustainable Bioenergy Production / / edited by Gurunathan Baskar, Veeramuthu Ashokkumar, Samuel Lalthazuala Rokhum, Vijayanand Suryakant Moholkar |
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Pubbl/distr/stampa |
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Singapore : , : Springer Nature Singapore : , : Imprint : Springer, , 2024 |
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ISBN |
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9789819725236 |
9789819725229 |
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Edizione |
[1st ed. 2024.] |
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Descrizione fisica |
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1 online resource (469 pages) |
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Collana |
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Energy, Environment, and Sustainability, , 2522-8374 |
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Disciplina |
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Soggetti |
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Electric power production |
Energy harvesting |
Power resources |
Environmental economics |
Bioengineering |
Mechanical Power Engineering |
Energy Harvesting |
Resource and Environmental Economics |
Biological and Physical Engineering |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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1. Bioenergy based sustainable bioeconomy - perspectives and challenges -- 2. Lignocellulosic Biomass for Sustainable Production of Renewable Fuel: Embracing Natural Resources -- 3. Industrial Organic Waste and By-products as Sustainable Feedstock for Bioenergy Production -- 4. Transesterification of Waste Cooking Oil through Microwave Technology: Recent Advances and Challenges -- 5. Green catalysts synthesized from biomass for biodiesel production -- 6. Sustainable Solutions for bioenergy production from Hospital-based Plastic Waste – Thinking Beyond Landfills -- 7. Functionalized biochar for green and sustainable production of biodiesel -- 8. plug flow followed by mixed flow natural circulation bioreactor for biofuel production – A system approaches to biogas production -- 9. Versatile |
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pretreatment approaches to improve the bioethanol production from various biomass feedstocks -- 10. Biorefinery Avenues for Processing Urban Solid Waste: Potential for Value Added Chemicals and energy -- 11.Pyrolytic conversion of heterogenic natural waste biomass from rural communities with concomitant valorisation -- 12. Improving the biogas generation potential from organic wastes using hydrochar as an additive – Lab-scale case study from central Sweden: Part 1 -- 13. Improving the biogas generation potential from organic wastes using hydrochar as an additive – Lab-scale case study from central Sweden: Part 2 -- 14. Circular Bioeconomy Perspectives in Biomass Pyrolysis -- 15. Heterogeneous Hydrochar-based catalysts for biodiesel Production -- 16. Circular Bioeconomy Approaches for Valorising Waste Streams into Bio-jet Fuel -- 17. Sustainable bioethanol production from the pretreated waste lignocellulosic feedstocks -- 18. Waste biomass supply chain for sustainable bioenergy production. |
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Sommario/riassunto |
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This book covers the various technological developments and challenges in converting biomass residues into different forms of bioenergy. The continuous increase in the world population increased the demand for food products. The incorporation of modern technologies in agriculture increased the production of various food products, ending with excess generation of agricultural biomass residues from primary and secondary agriculture industries. Since, these biomass residues are a rich source of valuable bioproducts, they can be converted into various forms of bioenergy, such as biogas, biochar, biooil, biodiesel, and bioethanol. Besides, this approach is expected to address the gaps in biomass residue management and transformation to valuable bioproducts, and it also enhances the circular economy perspective. The book can be a valuable reference for beginners, researchers, and professionals interested in sustainable construction and allied fields. |
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2. |
Record Nr. |
UNINA9910346710603321 |
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Autore |
Blaß Hans JoachimFlaig, Marcus |
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Titolo |
Keilgezinkte Rahmenecken und Satteldachträger aus Brettsperrholz |
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Pubbl/distr/stampa |
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KIT Scientific Publishing, 2015 |
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ISBN |
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Descrizione fisica |
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1 online resource (180 p. p.) |
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Collana |
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Karlsruher Berichte zum Ingenieurholzbau / Karlsruher Institut für Technologie, Holzbau und Baukonstruktionen |
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Soggetti |
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History of engineering and technology |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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The report describes the experimental and analytical research that was carried out for the development of large double pitched beams and three hinged frames made of cross laminated timber. The results are used to derive of design approaches for large finger joints in cross laminated timber. |
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3. |
Record Nr. |
UNINA9911067925103321 |
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Autore |
Blackwood Jonathan |
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Titolo |
Contemporary Art in the Post-Yugoslav Space : Case Studies in Hauntology |
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Pubbl/distr/stampa |
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Oxford : , : Taylor & Francis Group, , 2025 |
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©2026 |
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ISBN |
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1-04-044537-3 |
1-04-044533-0 |
1-003-42709-X |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (269 pages) |
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Collana |
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Routledge Research in Art History Series |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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ART / History / 20th & 21st Century |
ART / History / General |
ART / Indigenous |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- List of Contributors -- Acknowledgments -- 1 Introduction: Yugoslav Hauntologies -- Notes -- References -- 2 Miraz/Dowry: On the Dialectics of Loss -- Notes -- References -- 3 Overcoming Art -- Doing Knowledge -- Comrade Artist -- Aspirational Modernity -- Yugoslav Art and the Art of Yugoslavia -- Overcoming the Aliases of Yugoslav Art -- Tidal and Seismic Shifts of History -- Traveling Without Moving -- Notes -- References -- 4 Yugoslav Venation: Skeletal Traces of the Past in the Practice of the Present -- Introduction -- Ghosts at the End of Time: Borko Lazeski -- Without Pity Or Sentiment: Adela Jušić and Selma Selman -- Parasitic Hauntologies -- Conclusion: Elena Chemerska and the Monument to Freedom, Kochani -- Notes -- References -- 5 Counter-Cartographies of Post-Yugoslav Art -- Introduction -- Curating Post-Yugoslav Space -- (Post-)Yugoslavia: Suspension of Time -- Feminist Politics of Post-Yugoslav Curating -- Dada Polis -- Yugoslavia as a Zone of Geopolitical Discomfort -- Containers of Subjugation -- Blank Map Palimpsests -- Glitching Utopias -- |
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Geopoesis -- Post-Yugoslav Geographies of (Non-)Belonging -- Notes -- References -- 6 Ecstatic Bodies: An Archive of Queer Performative Bodies in North Macedonia -- Introduction -- Performing the Other Body: Aliens, Women, Non-Human, Queer -- Queering the Heteronormative Public (Spaces and Institutions) in the (Post-)YU Context -- The Body as Archive Or Performing the Missing Voices and Ephemeras in History -- Conclusion -- Notes -- References -- 7 Living in the Post -- Democratization of Art -- Open Society Institute -- A Sense of the Commons -- A Cry of Nostalgia -- Mending Time -- Notes -- References. |
8 Yugoslav Anticolonial Endeavors in Art and Culture: Particular Cases of the Previous Century -- Introduction -- Anticolonial Solidarity in Yugoslavia -- Decolonization of Art and Culture and Different Models of Cultural Politics -- Particular Case Studies of the Twentieth Century -- Nonaligned Contemporaneity? -- Notes -- References -- 9 Resonating Silence: Curating the Yugoslav Narrative in Recent X-Ennials -- Introduction -- Exploring Curatorial Approaches: Selected Case Studies From Diverse Perspectives and Prominent Categories -- Cinematic Heritage Metamorphosis -- Reusing Collective Symbols -- Silently Canceling the Present: Narratives, Exclusion, and Representation in the Post-Yugoslav Context -- Notes -- References -- 10 Blackness Beyond the Euro-American Lens as Exhibited and Documented in the 2000s at the Museum of African Art in Belgrade, Serbia -- The Image of Africa and Africanity in the Yugoslav Region -- Conclusion -- Notes -- References -- 11 Practice Against Systematic Errors: Cultural Institutions in Bosnia and Herzegovina and a Case Study of the KRAK Center -- Non-institutions as Platforms for Cultural Battles -- The KRAK Center and Curating the Periphery -- KRAK's Forerunners -- Conclusion -- Notes -- References -- 12 The Common Language of the Yugoslav Cultural Space -- The Future Is Behind Us -- Limbo Transitions -- Transition of the Art System in Montenegro -- The Marginalia of the Common -- Notes -- References -- 13 Archival Encounters: On Reconfiguring Art Historical Discourses -- Introduction -- Archives Book -- Important Steps for Culture -- Përtej/Beyond Yugoslavia -- Waiting for the Future -- Galleries and Artist's Studios-An Issue of Our Visual Culture -- Conclusion -- Notes -- References -- 14 Yugoslav People's Art -- Introduction -- Art for the People and Combined and Uneven Development -- Defining People's Art. |
Conclusion -- Notes -- References -- 15 (Re)Animating the Commons: Repoliticizing Environmental Violence Through Counter-Narrating in Art-Activist Practices in Bosnia and Herzegovina -- Introduction -- Metabolizing the Wasteocene: Reframing the Debates On Environmental Violence in Bosnia and Herzegovina -- The Labor of Chemicals: The Transformation of Yugoslav Labor From Radni Narod to a Worker On Fire -- Antagonizing the Wasteocene: Reimagining the Commons Through Art-Activist Practices in Bosnia and Herzegovina -- Conclusion -- Notes -- References -- 16 The Return of the Class Struggle Or From Socialist Self-Management to Neoliberal Self-Exploitation -- Invisible Labor, the Class Struggle, and the Politics of Learned Helplessness -- The Legacy of Red October 1975 -- The Disempowering Antinomies of Autonomy -- Conclusion -- Notes -- References -- 17 The Yugoslavia of the Mind: Diasporic Practices -- Introduction -- Yugoslavia? Lost?! -- Life-times of Disposability -- Larval Spectrality Haunting Berlin -- Four Faces of Omarska -- Phantom Possession -- Life-making -- Notes -- References -- Index. |
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Sommario/riassunto |
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This edited volume is centred on the production, discussion and consumption of contemporary art in the post-Yugoslav space now. The book will be of interest to scholars working in art history, contemporary |
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art, gender studies, Slavic studies, politics, and post-conflict studies. |
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