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1. |
Record Nr. |
UNINA990007311520403321 |
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Autore |
Seidman, Laurence S. |
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Titolo |
Macroeconomics / Laurence S. Seidman |
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Pubbl/distr/stampa |
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San Diego : Harcourt Brace Jovanovich, 1987 |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNISA990000376930203316 |
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Titolo |
Surfactants in cosmetics / edited by Martin M. Rieger, Linda D. Rhein |
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Pubbl/distr/stampa |
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New York [etc.] : Marcel Dekker, c1997 |
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ISBN |
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Edizione |
[2. ed. rev. and expanded] |
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Descrizione fisica |
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XV, 635 p. : ill. ; 24 cm |
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Collana |
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Surfactant science series ; 68 |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910346054903321 |
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Autore |
Gascoigne Martin |
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Titolo |
Rosalie Gascoigne : a catalogue raisonné / / Martin Gascoigne |
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Pubbl/distr/stampa |
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ANU Press, 2019 |
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Acton, Australian Capital Territory : , : Australian National University Press, , [2019] |
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©2019 |
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ISBN |
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Descrizione fisica |
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1 online resource (444 pages) : illustrations |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction -- The Artist. Rosalie Gascoigne: A chronology -- Rosalie Gascoigne: Biographical note -- Rosalie's country -- Rosalie's materials -- Flower arrangements, the Academy of Science and ikebana -- The Catalogue Raisonné. Catalogue organisation and terminology -- Catalogue entries -- Appendixes. Appendix 1: Solo exhibitions -- Appendix 2: Selected group exhibitions -- Appendix 3: Works in public collections. |
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Sommario/riassunto |
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Rosalie Gascoigne (1917–1999) was a highly regarded Australian artist whose assemblages of found materials embraced landscape, still life, minimalism, arte povera and installations. She was 57 when she had her first exhibition. Behind this late coming-out lay a long and unusual preparation in looking at nature for its aesthetic qualities, collecting found objects, making flower arrangements and practising ikebana. Her art found an appreciative audience from the start. She was a people person, and it pleased her that through her exhibiting career of 25 years, her works were acquired by people of all ages, interests and backgrounds, as well as by the major public institutions on both sides of the Tasman Sea. |
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