1.

Record Nr.

UNINA9910341259903321

Titolo

Europaische kunst um 1300 / Leitung der Sektion Gerhard Schmidt ; Redaktion Elisabeth Liskar

Pubbl/distr/stampa

Wien ; Koln ; Graz : Bohlaus, 1986

ISBN

3205063864

Descrizione fisica

225 p. : ill. ; 21 cm

Disciplina

709.023

709.4

Locazione

FLFBC

Collocazione

709.4 CONV VIENNA 1983

Lingua di pubblicazione

Molteplice

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Atti del 25 ° Congresso Internazionale di Storia dell'Arte: Vienna, 4.-10. Settembre 1983 / Comitato nazionale austriaco della CIHA ; a cura di Hermann Fillitz e Martina Pippal

Sul compl. del front.: Akten des 25. internationalen Kongresses fur Kunstgeschichte : Wien, 4.-10. September 1983 / im Auftrag des osterreichischen Nationalkomitees des CIHA ; herausgegeben von Hermann Fillitz und Martina Pippal



2.

Record Nr.

UNINA9910384945803321

Autore

Bazin Jérôme

Titolo

Art beyond Borders : Artistic Exchange in Communist Europe (1945-1989) / / Edited by Jerome Bazin, Pascal Dubourg Glatigny, and Piotr Piotrowski

Pubbl/distr/stampa

Central European University Press, 2016

New York : , : Central European University Press, , 2015

©2015

ISBN

1-003-71837-X

963-386-084-9

Edizione

[1st ed.]

Descrizione fisica

1 online resource (532 p.)

Collana

Leipzig Studies on the History and Culture of East-Central Europe

Classificazione

KD 5130

Disciplina

701/.03

Soggetti

Cultural relations - History - 20th century

Art, European - 20th century

Art - Foreign influences - Communist countries - 20th century

Art and society - Communist countries

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Includes index.

Nota di contenuto

Moving people -- Moving objects -- Gathering people -- Defining Europe.

Sommario/riassunto

During the Cold War the exchange of artistic ideas and products united Europe's avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries, scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? By discussing artworks, studying the writings on art, observing artistic evolution and artists' strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period.