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1. |
Record Nr. |
UNINA9910341259903321 |
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Titolo |
Europaische kunst um 1300 / Leitung der Sektion Gerhard Schmidt ; Redaktion Elisabeth Liskar |
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Pubbl/distr/stampa |
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Wien ; Koln ; Graz : Bohlaus, 1986 |
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ISBN |
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Descrizione fisica |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Atti del 25 ° Congresso Internazionale di Storia dell'Arte: Vienna, 4.-10. Settembre 1983 / Comitato nazionale austriaco della CIHA ; a cura di Hermann Fillitz e Martina Pippal |
Sul compl. del front.: Akten des 25. internationalen Kongresses fur Kunstgeschichte : Wien, 4.-10. September 1983 / im Auftrag des osterreichischen Nationalkomitees des CIHA ; herausgegeben von Hermann Fillitz und Martina Pippal |
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2. |
Record Nr. |
UNINA9910384945803321 |
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Autore |
Bazin Jérôme |
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Titolo |
Art beyond Borders : Artistic Exchange in Communist Europe (1945-1989) / / Edited by Jerome Bazin, Pascal Dubourg Glatigny, and Piotr Piotrowski |
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Pubbl/distr/stampa |
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Central European University Press, 2016 |
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New York : , : Central European University Press, , 2015 |
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©2015 |
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ISBN |
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1-003-71837-X |
963-386-084-9 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (532 p.) |
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Collana |
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Leipzig Studies on the History and Culture of East-Central Europe |
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Classificazione |
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Disciplina |
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Soggetti |
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Cultural relations - History - 20th century |
Art, European - 20th century |
Art - Foreign influences - Communist countries - 20th century |
Art and society - Communist countries |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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Moving people -- Moving objects -- Gathering people -- Defining Europe. |
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Sommario/riassunto |
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During the Cold War the exchange of artistic ideas and products united Europe's avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries, scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? By discussing artworks, studying the writings on art, observing artistic evolution and artists' strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period. |
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