1.

Record Nr.

UNINA9910337717003321

Autore

Giuliani Gaia

Titolo

Race, nation and gender in modern Italy : intersectional representations in visual culture / / by Gaia Giuliani

Pubbl/distr/stampa

London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , [2019]

©2019

ISBN

1-137-50917-1

Edizione

[1st ed. 2019.]

Descrizione fisica

1 online resource (XIV, 299 p. 13 illus.)

Collana

Mapping Global Racisms

Disciplina

305.8

Soggetti

Race in art

Racism - Italy - History - 19th century

Racism - Italy - History - 20th century

Ethnicity

Sociology

Motion pictures

Ethnicity Studies

Gender Studies

Audio-Visual Culture

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Part 1: Constructions of Whiteness from Unification to Fascism -- 1. Race, gender and the early colonial imaginary -- 2. Race, gender and the fascist colonial imaginary -- Part 2: Race and Gender in Italians’ Post-fascist Cinematic Imaginary -- 3. Black Venuses between colonial memory and global horizons -- Part 3:Visualisation of Race, Visibilisation of Bodies and Concealment of Racism in Italian television, 1980s–2010s -- 4. Visualising race in Italian public and private television in the 1980s-2010s -- 5. Silent and exoticised, criminal or victim: the new racial paradigm -- 6. Conclusions. .

Sommario/riassunto

This book explores intersectional constructions of race and whiteness in modern and contemporary Italy. It contributes to transnational and interdisciplinary reflections on these issues through an analysis of



political debates and social practices, focusing in particular on visual materials from the unification of Italy (1861) to the present day. Giuliani draws attention to rearticulations of the transnationally constructed Italian ‘colonial archive’ in Italian racialised identity-politics and cultural racisms across processes of nation building, emigration, colonial expansion, and the construction of the first post-fascist Italian society. The author considers the ‘figures of race’ peopling the Italian colonial archive as composing past and present ideas and representations of (white) Italianness and racialised/gendered Otherness. Students and scholars across a range of disciplines, including Italian studies, political philosophy, sociology, history, visual and cultural studies, race and whiteness studies and gender studies, will find this book of interest.