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Record Nr. |
UNINA9910324950303321 |
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Autore |
Winnick R. H. |
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Titolo |
Tennyson's poems : new textual parallels / / R. H. Winnick |
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Pubbl/distr/stampa |
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Open Book Publishers, 2019 |
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Cambridge, UK : , : Open Book Publishers, , 2019 |
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ISBN |
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Descrizione fisica |
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1 online resource (310 pages) |
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Disciplina |
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Soggetti |
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Poetry |
Poetry by individual poets |
Literary studies: c 1800 to c 1900 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Preface -- 1A Three Translations of Horace 1 Translation of Claudian's 'Rape of Proserpine' 2 The Devil and the Lady 3 Armageddon 4 The Coach of Death, A Fragment 5 Memory [Memory! dear enchanter!] 8 Remorse 9 The Dell of E-- 10 Anthony and Cleopatra 16 'Did not thy roseate lips outvie' 26 On Sublimity 27 Time: An Ode 30 The Walk at Midnight 45 'Oh! ye wild winds, that roar and rave' 46 Babylon 47 Love [Almighty Love!] 48 Exhortation to the Greeks 50 'Come hither, canst thou tell me if this skull' 51 The Dying Man to His Friend 54A 'The musky air was mute' 55 The Outcast 58A The Invasion of Russia by Napoleon Buonaparte 59 Playfellow Winds 61 Home 62 'Among some Nations Fate hath placed too far' 63 To Poesy [O God, make this age great] 64 The Lark 67 Timbuctoo 73* Mariana 75 Madeline 78* Supposed Confessions of a Second-Rate Sensitive Mind 79 The Burial of Love 83 Recollections of the Arabian Nights 84 Ode to Memory 87 Adeline 88* A Character 91 The Poet 95 Hero to Leander 99 The Grasshopper 101 Chorus, in an Unpublished Drama, Written Very Early 106 To a Lady Sleeping 107 Sonnet [Could I outwear my present state of woe] 108 Sonnet [Though Night hath climbed her peak of highest noon] 109 Sonnet [Shall the hag Evil die with child of Good] 110 Sonnet [The pallid thunderstricken sigh for gain] 124 Amy 126 Memory [Ay me!] 127 Ode: O Bosky Brook 128 Perdidi Diem 130 Sense and |
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Conscience 132 'In deep and solemn dreams' 140 Lines on Cambridge of 1830 143 A Fragment [Where is the Giant of the Sun] 144 'O wake ere I grow jealous of sweet Sleep' 145 'The constant spirit of the world exults' 146 Sonnet [When that rank heat of evil's tropic day] 151 Sonnet [There are three things which fill my heart with sighs] 153 The Lover's Tale 155 'My life is full of weary days' 158 'If I were loved, as I desire to be' 159* The Lady of Shalott 160* Mariana in the South 161 Eleänore 162 The Miller's Daughter 163* Fatima 164* Œnone 166* To -- With the Following Poem [The Palace of Art] 167* The Palace of Art 169 The Hesperides 170* The Lotos-Eaters 171 Rosalind 172 'My Rosalind, my Rosalind' 173* A Dream of Fair Women 174 Song [Who can say] 175 Margaret 176 Kate 179 To -- [As when with downcast eyes] 185 Sonnet [Alas! how weary are my human eyes] 190 'Pierced through with knotted thorns of barren pain' 192 The Ruined Kiln 193 The Progress of Spring 194 'Hail Briton!' 200 Early Spring [1833] 207 The Ante-Chamber 208 The Gardener's Daughter; Or, The Pictures 209* The Two Voices 210* St Simeon Stylites 212 St Agnes' Eve 214 'Hark! the dogs howl!' 215 Whispers 216* On a Mourner 217* Ulysses 218* Tithon 219 Tiresias 220 Semele 223 Youth 225* The Epic [Morte d'Arthur] 227* 'Oh! that 'twere possible' 233 'Fair is that cottage in its place' 238 'I loving Freedom for herself' 240 The Blackbird 241* The Day-Dream 246 Lady Clara Vere de Vere 250 Sonnet [Ah, fade not yet from out the green arcades] 251 To Rosa 254 Three Sonnets to a Coquette 255 Sonnet [How thought you that this thing could captivate?] 257 The Voyage 259 The Flight 263 'The tenth of April! is it not?' 265* A Farewell 267 Will Waterproof's Lyrical Monologue 270 Amphion 271* Locksley Hall 275* Edwin Morris or, The Lake 276* The Golden Year 276A 'Wherefore, in these dark ages of the Press' 277* The Vision of Sin 279 Love and Duty 285B The Wanderer 286* The Princess, A Medley 289 To --, After Reading a Life and Letters 290 The Losing of the Child 291 The Sailor Boy 296* In Memoriam A.H.H. 297 To the Vicar of Shiplake 299* To the Queen 300 'Little bosom not yet cold' 301* To E.L., on His Travels in Greece 306 The Third of February, 1852 307 Hands All Round! [1852] 308 Suggested by Reading an Article in a Newspaper 310* Will 311* The Daisy 312* To the Rev. F.D. Maurice 313 The Brook 316* Maud, A Monodrama 317 The Letters 324* Tithonus 329 Ode Sung at the Opening of the International Exhibition 330* Enoch Arden 337 Aylmer's Field 1793 339 A Dedication 353 The Higher Pantheism 355 Lucretius 363 To the Rev. W.H. Brookfield 367 Prefatory Sonnet to the 'Nineteenth Century' 377* Prefatory Poem to My Brother's Sonnets 383 De Profundis 386 Sir John Oldcastle, Lord Cobham 390 Prologue to General Hamley [The Charge of the Heavy Brigade] 392 Epilogue [The Charge of the Heavy Brigade] 394* To Virgil 395 The Throstle 398* To E. FitzGerald 399 Poets and their Bibliographies 400* The Dead Prophet 407 Freedom 410 The Fleet 413 Vastness 415 The Ancient Sage 417* Locksley Hall Sixty Years After 420 Demeter and Persephone 424 Happy, The Leper's Bride 425* To Mary Boyle 426* Far -- Far -- Away 427* To the Marquis of Dufferin and Ava 431 Merlin and the Gleam 441 The Death of Œnone 443 St Telemachus 454 Kapiolani 462* Crossing the Bar Idylls of the King 464* The Coming of Arthur 465* Gareth and Lynette 466* The Marriage of Geraint 467* Geraint and Enid 468* Balin and Balan 469* Merlin and Vivien 470* Lancelot and Elaine 471* The Holy Grail 472* Pelleas and Ettarre 473* The Last Tournament 474* Guinevere 475* The Passing of Arthur -- Alphabetical Index of Tennyson Poems Discussed -- Index of Antecedent Writers and Works Discussed. |
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Sommario/riassunto |
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"In Tennyson’s Poems: New Textual Parallels, R. H. Winnick identifies more than a thousand previously unknown instances in which Tennyson |
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phrases of two or three to as many as several words are similar or identical to those occurring in prior works by other hands—discoveries aided by the proliferation of digitized texts and the related development of powerful search tools over the three decades since the most recent major edition of Tennyson’s poems was published.
Each of these instances may be deemed an allusion (meant to be recognized as such and pointing, for definable purposes, to a particular antecedent text), an echo (conscious or not, deliberate or not, meant to be noticed or not, meaningful or not), or merely accidental. Unless accidental, Winnick writes, these new textual parallels significantly expand our knowledge both of Tennyson’s reading and of his thematic intentions and artistic technique. Coupled with the thousand-plus textual parallels previously reported by Christopher Ricks and other scholars, he says, they suggest that a fundamental and lifelong aspect of Tennyson’s art was his habit of echoing any work, ancient or modern, which had the potential to enhance the resonance or deepen the meaning of his poems.
The new textual parallels Winnick has identified point most often to the King James Bible and to such canonical authors as Shakespeare, Milton, Dryden, Pope, Thomson, Cowper, Shelley, Byron, and Wordsworth. But they also point to many authors rarely if ever previously cited in Tennyson editions and studies, including Michael Drayton, Richard Blackmore, Isaac Watts, Erasmus Darwin, John Ogilvie, Anna Lætitia Barbauld, Letitia Elizabeth Landon, John Wilson, and—with surprising frequency—Felicia Hemans.
Tennyson’s Poems: New Textual Parallels is thus a major new resource for Tennyson scholars and students, an indispensable adjunct to the 1987 edition of Tennyson’s complete poems edited by Christopher Ricks. " |
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