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1. |
Record Nr. |
UNINA9910324042603321 |
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Autore |
Aoun Marc |
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Titolo |
Conciles provinciaux et synodes diocésains du concile de Trente à la Révolution française : Défis ecclésiaux et enjeux politiques ? / / Marc Aoun, Jeanne-Marie Tuffery-Andrieu |
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Pubbl/distr/stampa |
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Strasbourg, : Presses universitaires de Strasbourg, 2019 |
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ISBN |
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Descrizione fisica |
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1 online resource (416 p.) |
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Altri autori (Persone) |
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ArduraBernard |
AzemaLudovic |
Basdevant-GaudemetBrigitte |
BrajatBernard |
CoffinEdmond |
CourregesHélène Brunet-de |
CoutinBernard |
DompnierBernard |
HoursBernard |
LhostePierre-Marie |
LottinAlain |
LoupesPhilippe |
MaireCatherine |
MaravalPierre |
MartinPhilippe |
MetzgerMarcel |
MoreauHenri |
NelidoffPhilippe |
PericardJacques |
RappFrancis |
RestifBruno |
TramauxManuel |
Tuffery-AndrieuJeanne-Marie |
ValdriniPatrick |
VenardMarc |
AounMarc |
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Soggetti |
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Religion |
History |
religion |
droit |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Le présent ouvrage réunit les communications présentées au colloque qui s'est tenu à Strasbourg les 4 et 5 mai 2009, et qui avait pour finalité l'examen des statuts émanant des assemblées ecclésiastiques, promulgués entre le xvie et le xviiie siècle. Le Concile de Trente, qui s'inscrit dans la tradition canonique classique, rappelle l'exigence de convoquer régulièrement synodes diocésains et conciles provinciaux. Établis comme une véritable source du droit, les statuts synodaux et conciliaires deviennent les relais privilégiés du droit universel à la fin du xvie et durant le xviie siècle. Entre 1740,date de la promulgation par le pape Benoît XIV du De synodo diocesanealibri tredecim et 1789, les Églises particulières sises en France continuent de développer une certaine activité législative par le biais des assemblées ecclésiastiques. Les diverses contributions rassemblées dans ce volume entendent éclairer les contextes historique, canonique et politique de la période retenue, pour en faire apparaître les conséquences sur le droit particulier de l'Église. |
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2. |
Record Nr. |
UNINA9910255233703321 |
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Autore |
Stevens Lara |
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Titolo |
Anti-War Theatre After Brecht : Dialectical Aesthetics in the Twenty-First Century / / by Lara Stevens |
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Pubbl/distr/stampa |
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London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
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ISBN |
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Edizione |
[1st ed. 2016.] |
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Descrizione fisica |
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1 online resource (X, 224 p.) |
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Disciplina |
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Soggetti |
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Performing arts |
Theater |
Theater - History |
Communication |
Social media |
Theatre and Performance Arts |
Theatre History |
Media and Communication |
Social Media |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction -- Chapter 1. Performing the ‘War on Terror’ -- Chapter 2. From Epic to Dialectical Theatre -- Chapter 3. Tony Kushner’s Homebody/Kabul and Only We Who Guard the Mystery Shall be Unhappy -- Chapter 4. The Théâtre du Soleil’s Le Dernier Caravansérail -- Chapter 5. Caryl Churchill’s Iraq.doc and Seven Jewish Children: A Play For Gaza -- Chapter 6. Elfriede Jelinek’s Bambiland -- Conclusion -- Bibliography. |
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Sommario/riassunto |
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Examining the ways in which contemporary Western theatre protests against the ‘War on Terror’, this book analyses six twenty-first century plays that respond to the post-9/11 military operations in Afghanistan, Iraq and Palestine. The plays are written by some of the most significant writers of this century and the last including Elfriede Jelinek, Caryl Churchill, Hélène Cixous and Tony Kushner. Anti-war Theatre |
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After Brecht grapples with the problem of how to make theatre that protests the policies of democratically elected Western governments in a post-Marxist era. It shows how the Internet has become a key tool for disseminating anti-war play texts and how online social media forums are changing traditional dramatic aesthetics and broadening opportunities for spectator access, engagement and interaction with a work and the political alternatives it puts forward. |
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