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1. |
Record Nr. |
UNINA9910463763803321 |
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Autore |
Close David (David H.) |
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Titolo |
Greece since 1945 : politics, economy and society / / David H. Close |
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Pubbl/distr/stampa |
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London ; ; New York : , : Routledge, , 2014 |
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ISBN |
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1-138-15385-0 |
1-315-83948-2 |
1-317-88001-3 |
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Descrizione fisica |
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1 online resource (326 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Electronic books. |
Greece Politics and government 1974- |
Greece Politics and government 1935-1967 |
Greece Politics and government 1967-1974 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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First published 2002 by Pearson Education Limited. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Half Title; Title; Copyright; CONTENTS; List of Tables; List of Maps; Abbreviations; Preface; Editorial Foreword; 1. Introduction; The development of the new nation, 1821-1940; Total devastation, 1941-44; 2. Civil War and Reconstruction, 1945-1950; Troubled peace, February 1945-March 1946; Descent into war, April 1946-December 1947; American intervention; Defeat of the Communists; 3. Dependent Development: the Economy, 1950-1973; Economic recovery; Agriculture; Industry; A flawed development strategy?; 4. Uneven Prosperity: Society, 1950-1973; Population, health and migration |
Village lifeUrban society; The status of women; Social services; A success story?; 5. The Post-Civil War Regime, 1950-1967; The right-wing establishment; The institutions of controlled democracy, 1950-1961; The revival of party politics; The establishment under attack; The breakdown of parliamentary government; 6. Military Dictatorship, 1967-1974; The nature of the regime; The fall of the dictatorship; 7. Foreign Relations, 1950-1974; The Cold War; Cyprus and Turkey; Reaching towards western Europe; 8. Democratic Transformation, 1974-1989; Collapse of the south European dictatorships |
The process of democratisationThe new party system; A new deal; 9. |
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Restructuring the Economy, 1974-2000; Decline and recovery: an outline; Falling investmen; The parasitical state; Technological and managerial backwardness; Reasons for recovery; 10. Old Values and New Tensions: Society, 1974-2000; Population growth and immigration; The standard of living; Health; Occupational structure; Social services in crisis; The family; Women's status; Values; 11. Converging with Western Europe: Politics, 1989-2000; Reforming the government; The politics of convergence; Devolution of power |
12. Foreign Relations, 1974-2000The western alliance; Confrontation with Turkey; The Balkans; 13. Whither Now?; Guide to Further Reading; Appendix 1. Changes of government and head of state; Appendix 2. Results of parliamentary elections; Index |
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Sommario/riassunto |
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The book draws extensively on research on modern Greece in recent decades, and on the many perceptive commentaries on recent events in the Greek press. It adopts both an analytical and chronological approach and shows how Greece has both converged with western Europe and remained distinctively Balkan. David Close writes clearly and forcefully, and presents a lively picture of the Greek political system, economic development, social changes and foreign relations. Aimed at readers coming to the subject for the first time, this is a readable and informative introduction to contemporary Greece. |
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2. |
Record Nr. |
UNINA9910320752103321 |
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Autore |
Plasseraud Emmanuel |
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Titolo |
Cinéma et imaginaire baroque / / Emmanuel Plasseraud |
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Pubbl/distr/stampa |
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Villeneuve d'Ascq, : Presses universitaires du Septentrion, 2019 |
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ISBN |
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Descrizione fisica |
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1 online resource (272 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Motion pictures - Aesthetics |
Civilization, Baroque |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Le style baroque, défini dans un premier temps par Aloïs Riegl et Heinrich Wölfflin à partir de l'art du 17e siècle, est devenu un concept qui s'est élargi au-delà de ses frontières initiales, si bien que l'on a pu l'appliquer, par exemple, au cinéma, art du 20e siècle. En effet, parce qu'il est un dispositif de projection d'ombres, d'artifices, d'illusions, de mise en mouvement des images, le cinéma semble correspondre au désir profond du baroque de dépasser la représentation réaliste du monde pour accéder à la dimension de l'imaginaire. Mais cette utilisation du concept de baroque au cinéma ne va pas de soi, et tout l'enjeu de ce livre, qui vient après des tentatives éparses et parfois contradictoires, est d'offrir une présentation synthétique d'un cinéma baroque qui est envisagé sous l'angle de sa métaphysique illusionniste et de sa physique de l'infiniment divers. Il s'agit donc de proposer une théorie du cinéma au regard du baroque, à partir d'analyses d'œuvres de cinéastes qui se sont dits influencés par ce style, comme Raoul Ruiz, Peter Greenaway ou Emir Kusturica. C'est aussi l'occasion de relire les films de réalisateurs reconnus, comme Orson Welles, Federico Fellini, Max Ophuls, Alain Resnais ou David Lynch et de découvrir des cinéastes plus marginaux, comme Kenneth Anger, Jos Stelling, Alejandro Jodorowsky, Wojciech Has ou Carmelo Bene. Pour ces cinéastes, le baroque n'est pas qu'un style du passé. Il est un miroir qui permet surtout de penser notre monde moderne, et d'offrir au cinéma |
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des possibilités de renouvellement formel laissant espérer, pour l'avenir, de riches perspectives de développements. |
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