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1. |
Record Nr. |
UNINA9910418033003321 |
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Autore |
Pickford Susan |
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Titolo |
Le voyage excentrique : Jeux textuels et paratextuels dans l'anti-récit de voyage, 1760-1850 / / Susan Pickford |
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Pubbl/distr/stampa |
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Lyon, : ENS Éditions, 2018 |
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ISBN |
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Descrizione fisica |
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1 online resource (262 p.) |
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Altri autori (Persone) |
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Soggetti |
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Information Science & Library Science |
Literature (General) |
excentricité |
récit de voyage |
histoire du livre |
paratexte |
narratologie |
eccentricity |
travel narrative |
book history |
paratext |
narratology |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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La période 1760-1850 voit l’émergence, puis le déclin d’un sous-genre nouveau : le récit de voyage excentrique. Ces « anti-récits de voyage » qui se déroulent dans une chambre, dans mes poches, en zigzag… jouent tant avec les codes narratologiques du voyage classique qu’avec sa mise en livre, déployant notamment des extravagances paratextuelles et typographiques qui problématisent la place de l’ouvrage dans un circuit de communication de plus en plus dominé par le paradigme industriel. Si Laurence Sterne, qui lance cette mode avec Tristram Shandy et Le Voyage sentimental, revendique sa célébrité littéraire, pour ses imitateurs Xavier de Maistre et Rodolphe Töpffer il s’ |
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agit de maintenir leur automarginalisation dans un champ auctorial de plus en plus sous le signe de la « littérature industrielle » (Sainte-Beuve). Ancrée dans une double tradition de la narratologie française (Lejeune, Genette) et de l’histoire du livre anglo-saxon (Robert Darnton), cette étude retrace le trajet de cet épiphénomène éditorial de ses origines à sa disparition avec le triomphe du paradigme industriel dans la production livresque, mettant ainsi en lumière la métamorphose non seulement d’un genre littéraire, mais du champ auctorial et éditorial dans lequel il s’inscrit. The period 1760-1850 saw the rise and fall of a new sub-genre: eccentric travel writing. A number of anti-travel narratives journeyed round a bedroom, a pocket, or in a zigzag, playing with both the narratological structure and publishing format of mainstream travel writing, particularly by means of paratextual and typographical extravagances that challenged the book’s place in an increasingly industrialised communications circuit. While Laurence Sterne, who launched the new genre with Tristram Shandy and A Sentimental Journey, was avid for fame, his literary followers Xavier de Maistre and Rodolphe Töpffer were keen to uphold their own marginal stance in a field of authorship that was increasingly dominated by what the… |
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2. |
Record Nr. |
UNINA9910300053803321 |
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Titolo |
Copyright, Property and the Social Contract : The Reconceptualisation of Copyright / / edited by John Gilchrist, Brian Fitzgerald |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Springer, , 2018 |
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ISBN |
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Edizione |
[1st ed. 2018.] |
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Descrizione fisica |
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1 online resource (292 pages) |
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Disciplina |
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Soggetti |
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Mass media |
Law |
Conflict of laws |
Economic development |
Social change |
Law—Europe |
Law—Philosophy |
IT Law, Media Law, Intellectual Property |
Private International Law, International & Foreign Law, Comparative Law |
Development and Social Change |
European Law |
Theories of Law, Philosophy of Law, Legal History |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Part I: Copyright and Developing Countries: Copyright Legacy and Developing Countries: Important Lessons for Nigeria's Emerging Copyright Reform by Adebambo Adewopo -- Embracing Open Policies to Enable Access to Information: The EDO State Open Data Portal by Kunle Ola -- Copyright in the Palestinian Territories: Setting the Scene by Rawan Al Tamimi -- Copyright Law in Indonesia: From a Hybrid to an Endogenous System? by Christoph Antons -- Copyright and (Dis)harmonisation: Can Developing Nations Prioritise Their Own Public Good in a Global Copyright Hegemony? by Mark Perry -- Part II: Government and Copyright: Australia-US Copyright Relations: An |
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Unhurried View of the Reciprocal Protection of Literary Works by John S Gilchrist -- The Adoption of the American Model of Fair Use in the U.A.E Copyright Law by Rami Olwan -- Digitising the Public Domain: Non-original Photographs in Comparative EU Copyright Law by Thomas Margoni -- Part III: Copyright, Technology and the Future: Copyright in the Age of Access by Brian Fitzgerald -- The Royalties System and Paratrophic Copyright by Ben Atkinson -- Copyright According to Google by Jo Gray -- Dead Cats in the Mail: Dallas Buyers Club and the Emergence of the User in Australian Intermediary Copyright Law by Kylie Pappalardo and Carrick Brough -- The Making Available Right: Problems with “the Public” by Cheryl Foong. |
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Sommario/riassunto |
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This book provides international perspectives on the law of copyright in relation to three core themes - copyright and developing countries; the government and copyright; and technology and the future of copyright. The third theme includes an examination of the extent to which technology will dictate the development of the law, and a re-examination of the role of copyright in fostering innovation and creativity. As a critique, one chapter discusses how certain rights can create or reinforce social inequality under copyright royalty systems. Underlying these themes is the role the law of copyright has in encouraging or impeding human flourishing. |
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