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1. |
Record Nr. |
UNINA9910137023403321 |
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Autore |
Cabeza Éveline |
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Titolo |
Objets chers et funestes : Dimensions matérielles de l’impérialisme et de l’aliénation culturels / / Mireille Calame, Christine Dabat, Juliette Michaëlis, Dominique Perrot, Roy Preiswerk, Yvonne Preiswerk, Gilbert Rist, Fabrizio Sabelli, Jacques Vallet |
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Pubbl/distr/stampa |
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Genève, : Graduate Institute Publications, 2014 |
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ISBN |
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Descrizione fisica |
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1 online resource (280 p.) |
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Altri autori (Persone) |
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DelaleuDidier |
DelfendahlBernard |
DétrazChristine |
EngelEdmond |
ErdmannMaria |
JacobJean-Pierre |
KellerJean-Pierre |
PerrotDominique |
ReysooFenneke |
RosselPierre |
Schulte-TenckhoffIsabelle |
CalameMireille |
DabatChristine |
MichaëlisJuliette |
PreiswerkRoy |
PreiswerkYvonne |
RistGilbert |
SabelliFabrizio |
ValletJacques |
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Soggetti |
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Humanities, Multidisciplinary |
matérialisme |
aliénation |
assimilation |
culture |
ethnographie |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Nous vivons en Occident dans un type de société qui se soumet sans grande résistance à l’impératif d’une production et d’une consommation d’objets atteignant des proportions alarmantes. Ce phénomène pose des questions aussi bien aux pays du centre industrialisé qu’à ceux de la périphérie en mal d’industrialisation réelle ou fantasmée. Quelles questions ? Quels genres de problèmes ? Le titre et le sous-titre du présent cahier indiquent déjà les grands axes de la problématique que nous exposons non pas de façon exhaustive — il s’en faut de beaucoup — mais du moins introduire, en essayant de soulever quelques pans de ce long rideau d’évidences qui cache si bien les caractéristiques essentielles des objets. |
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2. |
Record Nr. |
UNINA9910164694703321 |
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Autore |
Kessler S. L |
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Titolo |
Instrumented Impact Testing of Plastics and Composite Materials |
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Pubbl/distr/stampa |
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[Place of publication not identified], : American Society for Testing & Materials, 1986 |
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ISBN |
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Descrizione fisica |
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1 online resource (382 pages) : illustrations |
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Collana |
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Journal of ASTM International ; ; Volume 936 |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Composite materials |
Fracture fixation |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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3. |
Record Nr. |
UNINA9910300035203321 |
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Autore |
Liu Yong |
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Titolo |
3D Cinematic Aesthetics and Storytelling / / by Yong Liu |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
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ISBN |
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Edizione |
[1st ed. 2018.] |
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Descrizione fisica |
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1 online resource (226 pages) |
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Disciplina |
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Soggetti |
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Motion pictures |
Television broadcasting |
Digital media |
Motion pictures, American |
Film and Television Studies |
Digital and New Media |
American Film and TV |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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This book argues that 3D films are becoming more sophisticated in utilising stereoscopic effects for storytelling purposes. Since Avatar (2009), we have seen a 3D revival marked by its integration with new digital technologies. With this book, the author goes beyond exploring 3D's spectacular graphics and considers how 3D can be used to enhance visual storytelling. The chapters include visual comparisons between 2D and 3D to highlight their respective narrative features; an examination of the narrative tropes and techniques used by contemporary 3D filmmakers; and a discussion of the narrative implications brought by the coexistence of flatness and depth in 3D visuality. In demonstrating 3D cinematic aesthetics and storytelling, Yong Liu analyses popular films such as Hugo (2011), Life of Pi (2012), Gravity (2013), Star Trek Into Darkness (2013, and The Great Gatsby (2013). The book isan investigation into contemporary forms of |
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stereoscopic storytelling derived from a unique, long-existing mode of cinematic illusions. . |
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