|
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910300018703321 |
|
|
Autore |
Toffell Gil |
|
|
Titolo |
Jews, Cinema and Public Life in Interwar Britain / / by Gil Toffell |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2018 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Edizione |
[1st ed. 2018.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (xi, 227 pages) : illustrations |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Motion pictures—History |
Judaism and culture |
Ethnology—Europe |
World War, 1939-1945 |
Film History |
Jewish Cultural Studies |
British Culture |
History of World War II and the Holocaust |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di contenuto |
|
1. Introduction -- 2. The Spaces and Places of Jewish Cinema Culture -- 3. Films of Jewish Interest -- 4. The Public Lives of Jewish Stars -- 5. The Jews Behind the Camera -- 6. Jewish Defence -- 7. Epilogue – The Decline of a Jewish Cinema Culture. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
This book investigates a Jewish orientation to film culture in interwar Britain. It explores how pleasure, politics and communal solidarity intermingled in the cinemas of Jewish neighbourhoods, and how film was seen as a vessel through which Jewish communal concerns might be carried to a wider public. Addressing an array of related topics, this volume examines the lived expressive cultures of cinemas in Jewish areas and the ethnically specific films consumed within these sites; the reception of film stars as representations of a Jewish social body; and how an antisemitic canard that understood the cinema as a Jewish monopoly complicated its use as a base for anti-fascist activity. In shedding light on an unexplored aspect of British film reception and exhibition, Toffell provides a unique insight into the making of the |
|
|
|
|
|
|
|
|
|
|
modern city by migrant communities. The title will be of use to anyone interested in Britain’s interwar leisure landscape, the Jewish presence in modernity, and a cinema studies sensitised to the everyday experience of audiences. |
|
|
|
|
|
| |