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1. |
Record Nr. |
UNINA9910704867103321 |
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Autore |
Melaina M. W (Marc W.) |
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Titolo |
Blending hydrogen into natural gas pipeline networks : a review of key issues / / M.W. Melaina, O. Antonia, and M. Penev |
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Pubbl/distr/stampa |
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Golden, Colorado : , : National Renewable Energy Laboratory, , 2013 |
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Descrizione fisica |
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1 online resource (131 unnumbered pages) : color illustrations |
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Collana |
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Soggetti |
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Natural gas pipelines |
Hydrogen |
Gas distribution |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from title screen (viewed on Mar 25, 2013). |
"March 2013." |
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Nota di bibliografia |
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Includes bibliographical references (pages [47-49]). |
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2. |
Record Nr. |
UNINA9910300018703321 |
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Autore |
Toffell Gil |
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Titolo |
Jews, Cinema and Public Life in Interwar Britain / / by Gil Toffell |
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Pubbl/distr/stampa |
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London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2018 |
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ISBN |
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Edizione |
[1st ed. 2018.] |
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Descrizione fisica |
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1 online resource (xi, 227 pages) : illustrations |
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Disciplina |
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Soggetti |
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Motion pictures - History |
Judaism and culture |
Ethnology - Great Britain |
Culture |
World War, 1939-1945 |
Film and TV History |
Jewish Cultural Studies |
British Culture |
History of World War II and the Holocaust |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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1. Introduction -- 2. The Spaces and Places of Jewish Cinema Culture -- 3. Films of Jewish Interest -- 4. The Public Lives of Jewish Stars -- 5. The Jews Behind the Camera -- 6. Jewish Defence -- 7. Epilogue – The Decline of a Jewish Cinema Culture. |
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Sommario/riassunto |
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This book investigates a Jewish orientation to film culture in interwar Britain. It explores how pleasure, politics and communal solidarity intermingled in the cinemas of Jewish neighbourhoods, and how film was seen as a vessel through which Jewish communal concerns might be carried to a wider public. Addressing an array of related topics, this volume examines the lived expressive cultures of cinemas in Jewish areas and the ethnically specific films consumed within these sites; the reception of film stars as representations of a Jewish social body; and how an antisemitic canard that understood the cinema as a Jewish |
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monopoly complicated its use as a base for anti-fascist activity. In shedding light on an unexplored aspect of British film reception and exhibition, Toffell provides a unique insight into the making of the modern city by migrant communities. The title will be of use to anyone interested in Britain’s interwar leisure landscape, the Jewish presence in modernity, anda cinema studies sensitised to the everyday experience of audiences. |
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