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1. |
Record Nr. |
UNINA9910300004003321 |
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Autore |
Glynn Stephen |
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Titolo |
The British Football Film / / by Stephen Glynn |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
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ISBN |
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Edizione |
[1st ed. 2018.] |
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Descrizione fisica |
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1 online resource (IX, 262 p. 18 illus., 12 illus. in color.) |
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Disciplina |
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Soggetti |
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Motion pictures—Great Britain |
Ethnology—Europe |
Sports—Sociological aspects |
British Cinema and TV |
British Culture |
Sociology of Sport and Leisure |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Part I. Introduction -- 1. The British Football Film: The Rules of the Game -- Part II. The Professionals -- 2. Machinations -- 3. Mavericks -- 4. Managers -- Part III. The Amateurs -- 5. Cons -- 6. Kids -- 7. Sunday Soccer -- Part IV. The Supporters -- 8. Gambling -- 9. Getting There -- 10. Gangs -- Part V. Conclusion -- 11. The British School Film: Directors and Directions. |
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Sommario/riassunto |
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This book constitutes the first full volume dedicated to an academic analysis of British football as depicted on film. From early single-camera silents to its current multi-screen mediations, the repeated treatment of football in British cinema points to the game’s importance not only in the everyday rhythms of national life but also, and especially, its immutable place in the British imaginary landscape. Through close textual analysis together with production and reception histories, this book explores the ways in which professional footballers, amateur players and supporters (the devoted and the demonized) have been represented on the British screen. As well as addressing the joys and sorrows the game necessarily engenders, British football is shown to function as an accessible structure to explore wider issues such as |
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class, race, gender and even the whole notion of ‘Britishness’. . |
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