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Record Nr. |
UNINA990000007360403321 |
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Autore |
Devienne, Marcel F. |
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Titolo |
Frottement et echances thermiques dans les gaz rarefies / Marcel F. Devienne ; preface de M. Edmond Brun |
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Paris : Gauthier-Villars, 1958 |
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Descrizione fisica |
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VIII, 135 p. : ill. ; 25 cm |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910637783803321 |
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Autore |
Gambino Dinorah |
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Titolo |
New Trends on Vanadium Chemistry, Biochemistry, and Medicinal Chemistry |
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Pubbl/distr/stampa |
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Basel, : MDPI - Multidisciplinary Digital Publishing Institute, 2022 |
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ISBN |
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Descrizione fisica |
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1 electronic resource (196 p.) |
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Soggetti |
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Research & information: general |
Chemistry |
Inorganic chemistry |
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The recognition of the exceptional chemical and biological properties |
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of vanadium compounds has led, in recent decades, to extensive research exploring their chemistry, biochemistry, and medicinal chemistry. Due to the prospective application of vanadium compounds as therapeutic agents against diseases such as diabetes, cancer and those provoked by parasites and bacteria, vanadium coordination chemistry and biochemistry has been an area of extensive research. Currently, the most promising potential uses of vanadium compounds are as nutritional supplements and as anticancer agents potentiated by immunotherapy. Nevertheless, researchers from all over the world are dedicating their efforts to vanadium research related to other potential therapeutic applications of vanadium compounds and to obtain insights into their beneficial effects on health and their modes of action. This Special Issue collected research contributions focused on recent advances in vanadium chemistry, biochemistry, and medicinal chemistry. I expect that this collection will have a great impact on the future direction of vanadium research. |
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3. |
Record Nr. |
UNINA9910300001803321 |
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Autore |
Selimović Inela |
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Titolo |
Affective Moments in the Films of Martel, Carri, and Puenzo / / by Inela Selimović |
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Pubbl/distr/stampa |
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London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2018 |
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Edizione |
[1st ed. 2018.] |
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Descrizione fisica |
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1 online resource (270 pages) |
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Disciplina |
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Motion pictures, American |
Motion pictures - Production and direction |
Feminism |
Feminist theory |
Ethnology - Latin America |
Culture |
Sex |
Latin American Film and TV |
Directing |
Feminism and Feminist Theory |
Latin American Culture |
Gender Studies |
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Lingua di pubblicazione |
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Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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1. Introduction -- 2. Part I MINORS AND HOMEBOUND VIOLENCE - Retributive Affects in Albertina Carri’s La rabia (2008) -- 3. Affective Otherness in Lucrecia Martel’s La ciénaga (2001) -- 4. Lucía Puenzo’s El niño pez (2009): Fluid Intimacies, Affective Dwelling -- 5. Part II REMEDIATIONS AND AFFECT - The Hypermediacy Appeal in Albertina Carri’s Los rubios (2003) -- 6. Muted Gestures, Screaming Affects in Lucrecia Martel’s La mujer sin cabeza (2008) -- 7. Ghostly Pasts and Contested Silence in Lucía Puenzo’s Wakolda: El médico alemán (2013) -- 8. Part III BOLD BOREDOMS, LIBIDINOUS AFFECTS - Compulsory Boredom and Cerulean Desires in Lucía Puenzo’s XXY (2007) -- 9. Albertina Carri’s Géminis (2005): Leisurely Boredom, Incestuous Discontent -- 10. Lucrecia Martel’s La niña santa (2004): On Waiting, Monotony, and Agentic Kinesthesis -- 11. Conclusion. . |
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Sommario/riassunto |
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This book studies the intimate tensions between affect and emotions as terrains of sociopolitical significance in the cinema of Lucrecia Martel, Albertina Carri, and Lucía Puenzo. Such tensions, Selimović argues, result in “affective moments” that relate to the films’ core arguments. They also signal these filmmakers’ novel insights on complex manifestations of memory, desire, and violence. The chapters explore how the presence of pronounced—but reticent—affect complicates emotional bonding in the everydayness depicted in these films. By bringing out moments of affect in these filmmakers’ diegetic worlds, this book traces the ways in which subtle foci on gender, class, race, and sexuality correlate in these Argentine women’s films. |
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