1.

Record Nr.

UNINA9910299161603321

Titolo

Narrating Complexity / / edited by Richard Walsh, Susan Stepney

Pubbl/distr/stampa

Cham : , : Springer International Publishing : , : Imprint : Springer, , 2018

ISBN

3-319-64714-8

Edizione

[1st ed. 2018.]

Descrizione fisica

1 online resource (322 pages) : illustrations

Disciplina

808.036

Soggetti

Artificial intelligence

User interfaces (Computer systems)

Multimedia systems 

Communication

Motion pictures and television

Creative writing

Artificial Intelligence

User Interfaces and Human Computer Interaction

Media Design

Media Studies

Screen Studies

Creative Writing

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di contenuto

Introduction and Overview: Who, What, Why -- Narrative Theory for Complexity Scientists -- Complex Systems for Narrative Theorists -- A Brief History of Systems Thinking -- Sense and Wonder: Complexity and the Limits of Narrative Understanding -- The Benefit of Doubt: Embracing Complexity and Uncertainty -- Simple Story of the Complex Mind? A Rhetorical Analysis of Cognitive Science Texts -- When Robots Tell Each Other Stories, or the Emergence of Artificial Fiction -- Plato with a Movie Camera: Visually Thinking of Complexity -- Augmenting Communication: Peering at Narratives and Complexity Through a Digital Arts Lens -- The Secret Life of Civilization -- Our Complex Earth -- Why Do We Trust Computer Simulations? -- Irreducible Complexity



and Narrating the Endarkenment -- Gardening Complex Systems, and Other Metaphors -- Analysis of Contributions -- From Simplex to Complex Narrative: A New Model.

Sommario/riassunto

This book stages a dialogue between international researchers from the broad fields of complexity science and narrative studies. It presents an edited collection of chapters on aspects of how narrative theory from the humanities may be exploited to understand, explain, describe, and communicate aspects of complex systems, such as their emergent properties, feedbacks, and downwards causation; and how ideas from complexity science can inform narrative theory, and help explain, understand, and construct new, more complex models of narrative as a cognitive faculty and as a pervasive cultural form in new and old media. The book is suitable for academics, practitioners, and professionals, and postgraduates in complex systems, narrative theory, literary and film studies, new media and game studies, and science communication.