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1. |
Record Nr. |
UNISA996456647303316 |
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Autore |
Sawallisch Nele |
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Titolo |
Fugitive Borders : Black Canadian Cross-Border Literature at Mid-Nineteenth Century / Nele Sawallisch |
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Pubbl/distr/stampa |
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Bielefeld, : transcript Verlag, 2018 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (218 pages) |
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Collana |
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American Culture Studies ; 13 |
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Disciplina |
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Soggetti |
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Black Canada; 19th Century; Slave Narrative; Life Writing; Borders; Literary History; Literature; America; Cultural History; American Studies; Migration; Literary Studies |
Criticism, interpretation, etc. |
Canada |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter 1 Contents 5 Acknowledgments 7 Introduction 9 1. Fugitive Borders 13 2. Religion 35 3. Radicalism 59 4. Heroism 101 5. Community 151 Conclusion 199 Bibliography 205 |
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Sommario/riassunto |
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Fugitive Borders explores a new archive of 19th-century autobiographical writing by black authors in North America. For that purpose, Nele Sawallisch examines four different texts written by formerly enslaved men in the 1850s that emerged in or around the historical region of Canada West (now known as Ontario) and that defy the genre conventions of the classic slave narrative. Instead, these texts demonstrate originality in expressing complex, often ambivalent attitudes towards the so-called Canadian Promised Land and contribute to a form of textual community-building across national borders. In the context of emerging national discourses before Canada's Confederation in 1867, they offer alternatives to the hegemonic narrative of the white settler nation. |
»›Fugitive Borders‹ shows how Black cross-border life writing at midnineteenth century speaks of the history of slavery and the experiences of the formerly enslaved and fugitive with idiosyncratic voices. Undoubtedly, readers of ›Fugitive Borders‹ will want to hear, |
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understand, and learn more from them.« Paula von Gleich, American Studies, 65/1 (2020) |
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2. |
Record Nr. |
UNINA9910709675403321 |
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Autore |
Elliott Richard A. |
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Titolo |
Evaluation of turbulence induced noise in coherent anti-stokes Raman scattering / / Richard A. Elliott |
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Pubbl/distr/stampa |
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Moffett Field, California : , : NASA-Ames Research Center, , [1982] |
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Descrizione fisica |
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1 online resource (i, 28 pages) : illustrations |
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Collana |
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Soggetti |
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Turbulence effects |
Raman spectra |
Signal fading |
Transonic wind tunnels |
Refractivity |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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"June 1, 1979 to December 31, 1982." |
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Nota di bibliografia |
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Includes bibliographical references (pages 23-25). |
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3. |
Record Nr. |
UNINA9910297031303321 |
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Autore |
Amico Marta |
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Titolo |
Fictions et frictions culturelles : Art et patrimoine en action / / Jean-Philippe Garric |
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Pubbl/distr/stampa |
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Paris, : Éditions de la Sorbonne, 2018 |
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ISBN |
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Descrizione fisica |
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1 online resource (240 p.) |
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Altri autori (Persone) |
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BondazJulien |
DespresAltaïr |
DuquerroyMarion |
EpsteinAriela |
EtterAnne-Julie |
GuindeuilThomas |
RéraNathan |
GarricJean-Philippe |
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Soggetti |
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Art |
Cultural studies |
mondialisation |
Inde |
art africain |
conflit mémoriel |
paysage post-industriel |
Uruguay |
Rwanda |
musées d’Ethiopie |
globalisation |
India |
african art |
conflicting memories |
post-industrial landscape |
museography in Ethiopia |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Fluctuante et protéiforme, la culture peut être source de conflit autant que d’identification, riche de ses influences ou bien porteuse d’une mémoire difficile à révéler. Ce volume, au travers de huit textes pluridisciplinaires, porte un regard sur cet espace de jonction et d’articulation entre art et patrimoine qui compose la culture. Les croisements ne se font jamais sans heurts ni frictions ; ils sont également le creuset de nouvelles narrations, qui rendent singulière chaque histoire. Par le biais des deux entités que sont les processus de patrimonialisation et les pratiques de la création artistique, le présent ouvrage traite des questions de mondialisation, d’adoption ou de rejet des influences ainsi que des rapports de domination Nord-Sud. Il montre également comment certains territoires désemparés, par le prisme des arts et des actions collectives, sont ré-imaginés et patrimonialisés. Tout cela ne va pas sans opérer des choix destinés à constituer et à colporter une histoire, une mémoire. Cette conservation des sources mémorielles ne pourrait exister sans les institutions ni les musées qui, pour servir un discours, sélectionnent, exposent ou, au contraire, occultent. Mais que penser de la constitution de patrimoines quand ils sont le fruit d’une amnésie sélective ? |
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