1.

Record Nr.

UNIBAS000005941

Autore

Palestra, Giovanni Walter

Titolo

Intonaco: una superficie di sacrificio / Giovanni Walter Palestra

Pubbl/distr/stampa

Milano : ETAS LIBRI, 1995

ISBN

88-453-0750-6

Edizione

[1. ed.]

Descrizione fisica

XIV, 287 p. : ill. ; 24 cm.

Collana

Scienze del territorio / collana diretta da Claudio Baracca e Massimo Giuliani , Architettura, urbanistica e ambiente

Disciplina

693.6

Soggetti

Intonaci

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia



2.

Record Nr.

UNINA9910295748703321

Autore

Baron Françoise

Titolo

Marie et la « Fête aux Normands » : Dévotion, images, poésie / / Thelamon Françoise

Pubbl/distr/stampa

Mont-Saint-Aignan, : Presses universitaires de Rouen et du Havre, 2018

ISBN

979-1-02-401063-2

Descrizione fisica

1 online resource (351 p.)

Altri autori (Persone)

BoyerChristine

ChalineJean-Pierre

ChalineNadine-Josette

DaryMarie-Bénédicte

DurandJean-Dominique

GrosGérard

HüeDenis

Kontouma-ConticelloVassa

LamyMarielle

LepapeSéverine

RivialeLaurence

SauxFrançoise Le

ThelamonFrançoise

TrotinNicolas

VauchezAndré

VenardMarc

VincentCatherine

West-HarlingVeronica Ortenberg

FrançoiseThelamon

Soggetti

Religion

History

Normandie

fête

Rouen

Marie

religion

Immaculée Conception

Lingua di pubblicazione

Francese



Formato

Materiale a stampa

Livello bibliografico

Monografia

Sommario/riassunto

La Conception de Marie était célébrée en Normandie le 8 décembre depuis le Moyen Âge, en dépit d'âpres discussions théologiques qui trouvèrent leur terme au xixe siècle.  La dévotion induisit, aux xve et xvie siècles, une remarquable efflorescence artistique : concours de poésie lors de la « Feste du Puy » des palinods à Rouen, vitraux chatoyants et sculptures, images d'une piété mariale renouvelée au xixe siècle, exaltant la beauté de Marie pour manifester son Immaculée Conception.  Les auteurs, historiens et spécialistes de la littérature et des arts, analysent textes et images, invitant, pour comprendre la « Fête aux Normands », à se tourner vers l'Orient byzantin et l'Angleterre, vers le Puy d'Amiens et la « Fête des Lumières » à Lyon.  Pluralité de regards pour découvrir et décrypter des pratiques sociales et religieuses dans la longue durée.

3.

Record Nr.

UNINA9910822944403321

Autore

Willmott Glenn <1963->

Titolo

Modernist goods : primitivism, the market, and the gift / / Glenn Willmott

Pubbl/distr/stampa

Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2008

©2008

ISBN

1-4426-8864-5

Descrizione fisica

1 online resource (339 p.)

Disciplina

820.9

Soggetti

English literature - 20th century - History and criticism

Modernism (Literature)

Primitivism

Literature and anthropology

Capitalism and literature

Economics and literature

Politics and literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia



Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Introduction. Beyond Primitivism -- Imperialist and Aboriginal Modernities -- Commodities, Gifts, and Goods -- Stoker's Abject Kin -- pt. 1. After Strange Goods: The Economic Unconscious of Imperialist Modernity -- Yeats's Proper Dark -- Lawrence's Profane Work -- Lovecraft's Doubles -- Conrad's Desertions -- Structure and Style -- pt. 2. Multiplying the Public: Abject Modernism and Its Institutions -- pt. 3. Parodic Shaman: Imperialist Modernity and the Blackened Gift -- Eliot's Savage Possessions -- Woolf's Fugitive Rites -- Beckett's Unnamable Magic -- pt. 4. Impure House: Re-imagining Aboriginal Modernity -- Amatory Modernisms -- Joyce's People -- H.D.'s Heritages -- Conclusion: Modernism and Utopia.

Sommario/riassunto

The politicised interpretation of literature has relied on models of economic and social structures that oscillate between idealized subversion and market fatalism. Current anthropological discussions of mixed gift and commodity economies and the segmented politics of house societies offer solutions to this problem and suggest invaluable new directions for literary studies. Modernist Goods uses recent discussions of gift and house practices to counter an influential revisionist trend in modernist studies, a trend that sees the capitalist marketplace and its public sphere as the uniquely determining institutional structures in modern arts and culture.Glenn Willmott argues that a political unconscious forged by the widespread marginalisation of pre-capitalist institutions comes to the fore in modernist primitivism. Such primitivism, he insists, is not superficially exoticist or simply appropriative of the cultural heritage of others. Rather, it is at once parodic and authentic, and often, in the language of Julia Kristeva, abject. Modernist Goods examines such writers as Yeats, Conrad, Eliot, Woolf, Beckett, H.D., and Joyce to uncover what the author views as their displaced aboriginality and to investigate the relationship between literary modernism and aboriginal modernity. By bringing current anthropological developments to literary studies, it aims to rethink the economic commitments of modernist literature and their political significance.