1.

Record Nr.

UNINA9910453361303321

Autore

Johnson Scott Patrick

Titolo

The faces of Lee Harvey Oswald : the evolution of an alleged assassin / / Scott P. Johnson

Pubbl/distr/stampa

Lanham : , : Lexington Books, , [2013]

©2013

ISBN

1-4985-1509-6

0-7391-8682-5

Descrizione fisica

1 online resource (163 p.)

Disciplina

364.1524092

Soggetti

Assassins - United States

Public opinion - United States

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographies and index.

Nota di contenuto

Oswald as lone assassin -- Oswald as conspirator -- Oswald as patsy and hero -- Two Oswalds? -- The "Russian" Oswald -- Critical analysis of Oswald's role in the Kennedy assassination.

Sommario/riassunto

The Faces of Lee Harvey Oswald provides the first comprehensive scholarly analysis of Lee Harvey's Oswald's role in the JFK assassination. Scott P. Johnson objectively examines the various narratives of Lee Harvey Oswald created by researchers and authors over the last fifty years. He finds that at first glance any theory related to Oswald's role appears as convincing as the next, particularly when researchers carefully select information that only advances their preferred theory. In reality, however, Oswald's role in the assassination offe



2.

Record Nr.

UNINA9910295747203321

Autore

Heck Michèle-Caroline

Titolo

LexArt Les mots de la peinture / Michèle-Caroline Heck

Pubbl/distr/stampa

Montpellier : , : Presses Universitaires de la Méditerranée - PULM, , 2018

ISBN

9782367812694

Descrizione fisica

1 online resource (506)

Collana

Théorie des Art

Soggetti

The arts

Painting & paintings

Literacy

Lingua di pubblicazione

Francese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Sommario/riassunto

LexArt. The words of painting is a dictionary of terms and concepts, which, from the artistic literature, in a synchronous approach of discourse and artistic practice, describe the painting as it is practiced in France, Germany, England and the Netherlands in the 17th and 18th centuries. These writings constitute the mental, intellectual and visual universe, which makes it possible to better apprehend the work of art, and shape the eye to better see. The purpose of this book is to highlight the stakes of uses resituated in different contexts in time and space, in a confrontation of ways of thinking, painting and watching. Seventy-seven essays address nearly two hundred and fifty notions. The articles respond to each other, and form an ensemble which, behind the alphabetical order of the dictionary, draws the contours of a new reading of the painting seen through the eye of the painter and the eye of the spectator. Indeed, the "speaking painting" does not only introduce the viewer into the painter's studio by showing him the "how to do", he introduces him into the painting itself, shows him what to see and how see.