1.

Record Nr.

UNINA9910272353803321

Autore

Apter Emily S

Titolo

Feminizing the Fetish : Psychoanalysis and Narrative Obsession in Turn-of-the Century France / / Emily Apter

Pubbl/distr/stampa

Cornell University Press, 2018

Ithaca : , : Cornell University Press, , 1991

©1991

ISBN

9780801426537

0801426537

9781501722691

1501722697

Descrizione fisica

1 online resource (273 pages)

Disciplina

843/.809353

Soggetti

Women in literature

Narration (Rhetoric)

Fetishism in literature

Psychoanalysis and literature - France

Femininity in literature

Obsessive-compulsive disorder in literature

French fiction - 20th century - History and criticism

French fiction - 19th century - History and criticism

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references (p. 250-266) and index.

Nota di contenuto

Frontmatter -- Contents -- Preface -- CHAPTER 1. Fetishism in Theory: Marx, Freud, Baudrillard -- CHAPTER 2. The Epistemology of Perversion: From Pathology to Pathography -- CHAPTER 3. Cabinet Secrets : Peep Shows, Prostitution, and Bric-a-bracomania in the Fin-de-siecle Interior -- CHAPTER 4. Unmasking the Masquerade: Fetishism and Femininity from the Goncourt Brothers to Joan Riviere -- CHAPTER 5. Splitting Hairs: Female Fetishism and Postpartum Sentimentality in Maupassant's Fiction -- CHAPTER 6. Mystical Pathography: A Case of Maso-fetishism in the Goncourts' Madame Gervaisais -- CHAPTER 7.



Hysterical Vision: The Scopophilic Garden from Monet to Mirbeau -- CHAPTER 8. Master Narratives/Servant Texts: Representing the Maid from Flaubert to Freud -- CHAPTER 9. Stigma Indelebile: Zola, Gide, and the Deviant Detail -- Conclusion -- SELECTED BIBLIOGRAPHY -- Index

Sommario/riassunto

Shoes, gloves, umbrellas, cigars that are not just objects-the topic of fetishism seems both bizarre and inevitable. In this venturesome and provocative book, Emily Apter offers a fresh account of the complex relationship between representation and sexual obsession in turn-of-the-century French culture. Analyzing works by authors in the naturalist and realist traditions as well as making use of documents from a contemporary medical archive, she considers fetishism as a cultural artifact and as a subgenre of realist fiction. Apter traces the web of connections among fin-de-siècle representations of perversion, the fiction of pathology, and the literary case history. She explores in particular the theme of "female fetishism" in the context of the feminine culture of mourning, collecting, and dressing.