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1. |
Record Nr. |
UNINA9910449813703321 |
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Titolo |
The Cambridge history of nineteenth-century music / / edited by Jim Samson [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2001 |
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ISBN |
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1-316-08495-7 |
1-139-05344-2 |
1-280-42919-4 |
0-511-17529-9 |
0-511-03987-5 |
0-511-15556-5 |
0-511-30392-0 |
0-511-05417-3 |
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Descrizione fisica |
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1 online resource (xv, 772 pages) : digital, PDF file(s) |
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Collana |
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The Cambridge history of music |
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Disciplina |
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Soggetti |
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Music - 19th century - History and criticism |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 18 Nov 2015). |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Half-title; Series-title; Title; Copyright; Contents; Notes on contributors; Editor s preface; PART ONE 1800 ... 1850; PART TWO 1850 ... 1900; Chronology; Institutions; Personalia; Index |
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Sommario/riassunto |
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This comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. It avoids mere repertory surveys, focusing instead on issues which illuminate the subject in novel and interesting ways. The book is divided into two parts (1800-1850 and 1850-1900), each of which approaches the major repertory of the period by way of essays investigating the intellectual and socio-political history of the time. The music itself is discussed in five central chapters within each part, amplified by essays on topics such as popular culture, nationalism, genius, and the emergent concept of an avant-garde. The book concludes with an examination of musical styles and languages around the turn of the century. The addition of a detailed chronology and extensive glossaries makes this the most informed reference book on nineteenth-century music currently |
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2. |
Record Nr. |
UNINA9910271032403321 |
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Titolo |
Adhesion in pharmaceutical, biomedical and dental fields / / edited by K.L. Mittal and F.M. Etzler |
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Pubbl/distr/stampa |
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Beverly, Mass. : , : Scrivener, , 2017 |
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©2017 |
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ISBN |
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1-5231-1506-8 |
1-119-32378-9 |
1-119-32371-1 |
1-119-32379-7 |
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Descrizione fisica |
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1 online resource (409 pages) : illustrations, tables |
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Collana |
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Adhesion and adhesives : fundamental and applied aspects |
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Disciplina |
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Soggetti |
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Adhesives |
Biomedical materials |
Pharmaceutical industry - Technological innovations |
Dental bonding |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references at the end of each chapters and index. |
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3. |
Record Nr. |
UNINA9910827320903321 |
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Titolo |
Understanding rock [[electronic resource] ] : essays in musical analysis / / edited by John Covach and Graeme M. Boone |
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Pubbl/distr/stampa |
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New York, : Oxford University Press, 1997 |
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ISBN |
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0-19-772952-5 |
0-19-988012-3 |
1-4237-4048-3 |
1-280-45166-1 |
0-19-535662-4 |
1-60256-076-5 |
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Descrizione fisica |
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1 online resource (427 p.) |
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Altri autori (Persone) |
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CovachJohn Rudolph |
BooneGraeme M <1954-> (Graeme MacDonald) |
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Disciplina |
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Soggetti |
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Rock music - History and criticism |
Rock music - Analysis, appreciation |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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Cover Page; Title Page; Copyright Page; Preface; Acknowledgments; Contents; Contributors; 1 Progressive Rock, "Close to the Edge," and the Boundaries of Style; 2 After Sundown The Beach Boys' Experimental Music; 3 Blues Transformations in the Music of Cream; 4 Joanie" Get Angry k. d. lang's Feminist Revision; 5 Swallowed by a Song Paul Simon's Crisis of Chromaticism; 6 "Little Wing" A Study in Musical Cognition; 7 Tonal and Expressive Ambiguity in "Dark Star"; Index |
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Sommario/riassunto |
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Amid the recent increase in scholarly attention to rock music, Understanding Rock stands out as one of the first books that subjects diverse aspects of the music itself to close and sophisticated analytical scrutiny. Written by some of the best young scholars in musicology and music theory, the essays in this volume use harmonic, melodic, rhythmic, formal, and textual approaches in order to show how and why rock music works as music. Topics of discussion include the |
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adaptation of blues and other styles to rock; the craft of songwriting; techniques and strategies of improvisation; the reinterpr |
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