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Record Nr. |
UNINA9910265235103321 |
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Autore |
Morin Christina |
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Titolo |
The gothic novel in Ireland : c. 1760–1829 / / Christina Morin |
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Pubbl/distr/stampa |
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Manchester, : Manchester University Press, 2018 |
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Baltimore, Maryland : , : Project Muse, , 2019 |
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©2019 |
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ISBN |
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9781526160478 |
1526160471 |
9781526122308 |
1526122308 |
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Descrizione fisica |
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1 online resource (235 pages) : figures, map (black and white); digital, PDF file(s) |
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Disciplina |
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Soggetti |
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English fiction - 19th century - History and criticism |
English fiction - 18th century - History and criticism |
English fiction - Irish authors - History and criticism |
Gothic fiction (Literary genre), English - Irish authors - History and criticism |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references (pages 212-227) and index. |
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Nota di contenuto |
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1. Gothic temporalities : 'Gothicism', 'historicism', and the overlap of fictional modes from Thomas Leland to Walter Scott -- 2. Gothic genres : romances, novels, and the classifications of Irish Romantic fiction -- 3. Gothic geographies : the cartographic consciousness of Irish gothic fiction -- 4. Gothic materialities : Regina Maria Roche, the Minerva Press, and the bibliographic spread of Irish gothic fiction. |
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Sommario/riassunto |
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The gothic novel in Ireland, c. 1760-1829 offers a compelling account of the development of gothic literature in late-eighteenth and early-nineteenth century Ireland. Countering traditional scholarly views of the 'rise' of 'the gothic novel' on the one hand, and, on the other, Irish Romantic literature, this study persuasively re-integrates a body of now overlooked works into the history of the literary gothic as it emerged across Ireland, Britain, and Europe between 1760 and 1829. Its twinned |
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quantitative and qualitative analysis of neglected Irish texts produces a new formal, generic, and ideological map of gothic literary production in this period, persuasively positioning Irish works and authors at the centre of a new critical paradigm with which to understand both Irish Romantic and gothic literary production. |
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