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Record Nr. |
UNINA9910263844603321 |
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Titolo |
Hip Sublime : Beat Writers and the Classical Tradition / / edited by Sheila Murnaghan and Ralph M. Rosen |
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Pubbl/distr/stampa |
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Columbus : , : The Ohio State University Press, , [2018] |
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©[2018] |
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ISBN |
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0-8142-7613-X |
0-8142-7612-1 |
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Descrizione fisica |
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1 online resource (x, 292 pages ) |
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Collana |
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Classical memories/modern identities |
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Disciplina |
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Soggetti |
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Classical literature - Influence |
American literature - 20th century - History and criticism |
Authors, American - 20th century |
Beats (Persons) |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Beats visiting hell: katabasis in Beat literature / Stephen Dickey -- "Thalatta, Thalatta!": Xenophon, Joyce, and Kerouac / Christopher Gair -- "The final fix" and "The transcendent kingdom": the quest in the early work of William S. Burroughs / Loni Reynolds -- The invention of sincerity: Allen Ginsberg and the philology of the margins / Matthew Pfaff -- Radical brothers-in-arms: Gaius and Hank at the racetrack / Marguerite Johnson -- Riffing on Catullus: Robert Creeley's poetics of adultery / Nick Selby -- Sappho comes to the Lower East Side: Ed Sanders, the sixties avant-garde, and fictions of Sappho / Jennie Skerl -- Robert Duncan and Pindar's dance / Victoria Moul -- Kenneth Rexroth: Greek anthologist / Gideon Nisbet -- Philip Whalen and the classics: "A walking grove of trees" / Jane Falk -- Troubling classical and Buddhist traditions in Diane di Prima's Loba / Nancy M. Grace and Tony Trigilio -- Towards a post-Beat poetics: Charles Olson's localism and the second sophistic / Richard Fletcher -- Afterword: "Standing at a juncture of planes" / Nancy M. Grace and Jennie Skerl. |
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Sommario/riassunto |
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"With essays that cover canonical Beat authors such as Allen Ginsberg, |
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Jack Kerouac, and William Burroughs as well as less well-known figures like Kenneth Rexroth, Ed Sanders, and Diane di Prima, this volume focuses on the Beat movement's appropriation of the Greek and Latin classics as a formative element of their literary movement"-- |
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