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Record Nr. |
UNINA9910255454603321 |
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Autore |
Bristow Daniel |
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Titolo |
2001: A Space Odyssey and Lacanian Psychoanalytic Theory / / by Daniel Bristow |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
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ISBN |
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Edizione |
[1st ed. 2017.] |
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Descrizione fisica |
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1 online resource (X, 132 p. 25 illus., 4 illus. in color.) |
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Collana |
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The Palgrave Lacan Series, , 2946-420X |
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Disciplina |
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Soggetti |
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Psychology—Methodology |
Motion pictures |
Philosophy of mind |
Self |
Psychology |
Science—Philosophy |
Psychological Methods |
Film Theory |
Philosophy of the Self |
Behavioral Sciences and Psychology |
Philosophy of Science |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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1. Overture -- 2. Monolith -- 3. Cut -- 4. Space -- 5. Silence -- 6. Surreality. |
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Sommario/riassunto |
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In 1968, Stanley Kubrick completed and released his magnum opus motion picture 2001: A Space Odyssey; a time that was also tremendously important in the formation of the psychoanalytic theory of Jacques Lacan. Bringing these figures together, Bristow offers a study that goes beyond, as the film did. He extends Lacan’s late topological insights, delves into conceptualisations of desire, in G. W. F. Hegel, Alexandre Kojève, and Lacan himself, and deals with the major themes of cuts (filmic and psychoanalytic); space; silence; surreality; and ‘das Ding’, in relation to the movie’s enigmatic monolith. This book is a tour |
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de force of psychoanalytic theory and space odyssey that will appeal to academics and practitioners of psychoanalysis and film studies, as well as to any fan of Kubrick’s work. |
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