1.

Record Nr.

UNINA9910255249203321

Autore

Bassi Shaul

Titolo

Shakespeare’s Italy and Italy’s Shakespeare [[electronic resource] ] : Place, "Race," Politics / / by Shaul Bassi

Pubbl/distr/stampa

New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2016

ISBN

1-137-49170-1

Edizione

[1st ed. 2016.]

Descrizione fisica

1 online resource (XI, 231 p. 4 illus., 2 illus. in color.)

Collana

Reproducing Shakespeare, , 2730-9304

Disciplina

822.3/3

Soggetti

Literature, Modern

European literature

Theater—History

Ethnology—Europe

Early Modern/Renaissance Literature

European Literature

Theatre History

European Culture

Italy In literature

Italy In motion pictures

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Introduction: Country Dispositions -- Part I. "Race" -- 1. Iago's Race, Shakespeare's Ethnicities -- Slav-ing Othello -- Shakespeare, Nation, and Race in Fascist Italy -- Part II. Politics -- Neocon and Theoprog: The New Machiavellian Moment -- Infinite Minds: Shakespeare and Giordano Bruno Revisited -- Hamlet in Venice -- Part III. Place -- The Grave and the Ghetto: Shakespearean Places as Adaptations -- Fixed Figures: the Other Moors of Venice -- The Prison-House of Italy: Caesar Must Die.

Sommario/riassunto

Shakespeare’s Italy and Italy’s Shakespeare revisits a classical topic from a new perspective, focusing on Shakespeare’s afterlife in Italy through the lens of place, “race,” and politics. From discussions of a Victorian racialist interpretation of Shakespeare that casts Iago as the archetypal Italian specimen to Fascist appropriations of Shakespeare to



Paolo and Vittorio Taviani’s film Caesar Must Die, Shaul Bassi interrogates how Italy explains Shakespeare and how Shakespeare explains Italy. These peripheral events both illuminate singular potentialities of the plays and turn Shakespeare into a special guide to Italy’s ethos and political unconscious.