1.

Record Nr.

UNINA9910255097403321

Autore

Wu Jingsi Christina

Titolo

Entertainment and Politics in Contemporary China / / by Jingsi Christina Wu

Pubbl/distr/stampa

Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017

ISBN

9783319482644

3319482645

Edizione

[1st ed. 2017.]

Descrizione fisica

1 online resource (236 pages)

Collana

East Asian Popular Culture, , 2634-5943

Disciplina

335.4345

Soggetti

Communication

Motion pictures - Asia

Ethnology - Asia

Culture

Asia - Politics and government

Social media

Media and Communication

Asian Film and TV

Asian Culture

Asian Politics

Social Media

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references at the end of each chapters and index.

Nota di contenuto

1. Introduction -- 2. An Internet with Chinese Characteristics -- 3. Voting for the Next Super Girl and Political Talk -- 4. Stories of New Generations and Social Justice -- 5. Entertainment Production and the Future of China's Cultural Industry -- 6. Conclusion: Convergence of Entertainment and Politics in Contemporary China.

Sommario/riassunto

This book advances research about China by providing an updated narrative of its entertainment life in the beginning of China's twenty-first century. As the rest of the world continues to pay keen attention to developments in China's politics, economy, and culture, the book



provides insights on fascinating new developments in contemporary Chinese popular culture-including its reality television, family dramas centered around younger generations' life struggles, and social media. Furthermore, Entertainment and Politics in Contemporary China is the first book to apply the theoretical innovation of an aesthetic public sphere in examining closely the linkages between China's political life and activities in the country's culture sphere. Since concepts of public sphere and democracy largely took root from the West, Wu argues that this case study of China promises valuable insights about entertainment's role in the formation of citizenship and building of a civil society, which remains a site of great contention in Western theories and empirical efforts.