9/11 in European Literature [[electronic resource] ] : Negotiating Identities Against the Attacks and What Followed / / edited by Svenja Frank

• Record Nr.: UNINA9910255092403321
• Pubbl/distr/stampa: Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017
• ISBN: 3-319-64209-X
• Edizione: [1st ed. 2017.]
• Descrizione fisica: 1 online resource (XI, 386 p. 5 illus.)
• Disciplina: 809.4
• Soggetti: 17.80; European literature; Literature, Modern—20th century; Literature, Modern—21st century; Comparative literature; European Literature; Contemporary Literature; Twentieth-Century Literature; Comparative Literature
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Nota di bibliografia: Includes bibliographical references at the end of each chapters and index.
• Nota di contenuto: 9/11 in European Literature. Negotiating Identities Against the Attacks and What Followed -- 9/11: The Interpretation of Disaster as Disaster of Interpretation – an American Catastrophe Reflected in American and European Discourses -- The Wind of the Hudson: Gerhard Richter’s September (2005) and the European Perception of Catastrophe -- Burning from the inside out’: Let the Great World Spin (2009) -- Seeing is Disbelieving: The Contested Visibility of 9/11 in France -- Cultural and Historical Memory in English and German Discursive Responses to 9/11 -- The Post-9/11 World in Three Polish Responses: Zagajewski, Skolimowski, Tochman -- The Islamic World as Other in Oriana Fallaci’s ‘Trilogy’ -- National Identity and Literary Culture after 9/11:Pro- and Anti-Americanism in Frédéric Beigbeder’s Windows on the World(2003) ; and Thomas Hettche’s Woraus wir gemacht sind (2006) -- The Mimicry of Dialogue: Thomas Lehr’s September. Fata Morgana (2010) -- Europe and Its Discontents: Intra-European Violence in Dutch Literature after 9/11 -- Tourist/Terrorist. Narrating Uncertainty in Early European Literature on Guantánamo -- Appendix.
• Sommario/riassunto: This volume looks at the representation of 9/11 and the resulting wars in European literature. In the face of inner-European divisions the texts under consideration take the terror attacks as a starting point to negotiate European as well as national identity. While the volume shows that these identity formations are frequently based on the construction of two Others—the US nation and a cultural-ethnic idea of Muslim communities—it also analyses examples which undermine such constructions. This much more self-critical strand in European literature unveils the Eurocentrism of a supposedly general humanistic value system through the use of complex aesthetic strategies. These strategies are in itself characteristic of the European reception as the Anglo-Irish, British, Dutch, Flemish, French, German, Italian, and Polish perspectives collected in this volume perceive of the terror attacks through the lens of continental media and semiotic theory. .