1.

Record Nr.

UNISA990000238970203316

Autore

Berger, Marcel

Titolo

Geometry I / Marcel Berger ; translated from the French by M. Cole and S. Levy

Pubbl/distr/stampa

Berlin [etc.] : Springer-Verlag, copyr. 1987

ISBN

3-540-11658-3

Descrizione fisica

XIII, 427 p. : ill. ; 24 cm

Collana

Universitext ; 0

Disciplina

516

Collocazione

516 BER (1)

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNISA996391095103316

Autore

Martin Robert <fl. 1635-1641.>

Titolo

Libri theologici [[electronic resource]]

Pubbl/distr/stampa

[S.l., : s.n., 1635?]

Descrizione fisica

32 p

Soggetti

Catalogs, Booksellers' - England

Lingua di pubblicazione

Latino

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Date of publication from manuscript.

Signatures: A-D4.

Copy filmed at UMI microfilm Early English Books 1475-1640 reel 2006 bound and filmed with STC 11329.7.

Reproduction of original in the Bodleian Library.



Sommario/riassunto

eebo-0014

3.

Record Nr.

UNINA9910255077103321

Autore

Clarke Jim

Titolo

The Aesthetics of Anthony Burgess : Fire of Words / / by Jim Clarke

Pubbl/distr/stampa

Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017

ISBN

9783319664118

3319664115

Edizione

[1st ed. 2017.]

Descrizione fisica

1 online resource (XIII, 303 p.)

Disciplina

809.04

Soggetti

Literature, Modern - 20th century

Fiction

Twentieth-Century Literature

Fiction Literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

1. Introduction -- 2. Double Vision -- 3. All A Matter Of A Goddess -- 4. Conflict And Confluence -- 5. Nowhere But The Fire Of Words -- 6. Conclusion.

Sommario/riassunto

The book is the first full-length text on Anthony Burgess's fiction in a generation, and offers a radical and innovative way of understanding the extensive literary achievements of one of the twentieth century's most innovative authors. This book explores Burgess's dazzlingly diverse range of novels through the one key theme which links them all - the artistic process itself. Borrowing from Nietzsche's aesthetic dichotomy of Apollo and Dionysus, the book uncovers the protracted evolution of Burgess's fiction and offers a unifying theory which links his early postcolonial fiction chronologically, via his modernist experiments like A Clockwork Orange and Nothing Like The Sun, to his late classics Mozart and the Wolfgang and A Dead Man in Deptford. This volume clarifies Burgess's seminal role as both late modernist and early postmodernist, and lucidly unveils the legacy of England's most



mercurial novelist.