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1. |
Record Nr. |
UNISA990000238970203316 |
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Autore |
Berger, Marcel |
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Titolo |
Geometry I / Marcel Berger ; translated from the French by M. Cole and S. Levy |
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Pubbl/distr/stampa |
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Berlin [etc.] : Springer-Verlag, copyr. 1987 |
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ISBN |
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Descrizione fisica |
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XIII, 427 p. : ill. ; 24 cm |
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Collana |
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Disciplina |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNISA996391095103316 |
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Autore |
Martin Robert <fl. 1635-1641.> |
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Titolo |
Libri theologici [[electronic resource]] |
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Pubbl/distr/stampa |
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Descrizione fisica |
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Soggetti |
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Catalogs, Booksellers' - England |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Date of publication from manuscript. |
Signatures: A-D4. |
Copy filmed at UMI microfilm Early English Books 1475-1640 reel 2006 bound and filmed with STC 11329.7. |
Reproduction of original in the Bodleian Library. |
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3. |
Record Nr. |
UNINA9910255077103321 |
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Autore |
Clarke Jim |
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Titolo |
The Aesthetics of Anthony Burgess : Fire of Words / / by Jim Clarke |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
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ISBN |
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Edizione |
[1st ed. 2017.] |
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Descrizione fisica |
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1 online resource (XIII, 303 p.) |
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Disciplina |
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Soggetti |
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Literature, Modern - 20th century |
Fiction |
Twentieth-Century Literature |
Fiction Literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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1. Introduction -- 2. Double Vision -- 3. All A Matter Of A Goddess -- 4. Conflict And Confluence -- 5. Nowhere But The Fire Of Words -- 6. Conclusion. |
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Sommario/riassunto |
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The book is the first full-length text on Anthony Burgess's fiction in a generation, and offers a radical and innovative way of understanding the extensive literary achievements of one of the twentieth century's most innovative authors. This book explores Burgess's dazzlingly diverse range of novels through the one key theme which links them all - the artistic process itself. Borrowing from Nietzsche's aesthetic dichotomy of Apollo and Dionysus, the book uncovers the protracted evolution of Burgess's fiction and offers a unifying theory which links his early postcolonial fiction chronologically, via his modernist experiments like A Clockwork Orange and Nothing Like The Sun, to his late classics Mozart and the Wolfgang and A Dead Man in Deptford. This volume clarifies Burgess's seminal role as both late modernist and early postmodernist, and lucidly unveils the legacy of England's most |
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