1.

Record Nr.

UNINA990005065640403321

Autore

Behaghel, Otto

Titolo

Die deutsche Sprache / von Otto Behaghel ; mit Hinweisen und Anmerkungen von Friedrich Maurer

Pubbl/distr/stampa

Halle : Niemeyer, 1955

Edizione

[12. Aufl.]

Descrizione fisica

VII, 313 p. ; 21 cm

Disciplina

430.09

Locazione

FLFBC

Collocazione

430.09 BEH 2

Lingua di pubblicazione

Tedesco

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNINA9910255076903321

Autore

Ray Mary Beth

Titolo

Digital Connectivity and Music Culture : Artists and Accomplices / / by Mary Beth Ray

Pubbl/distr/stampa

Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017

ISBN

9783319682914

3319682911

Edizione

[1st ed. 2017.]

Descrizione fisica

1 online resource

Collana

Palgrave pivot

Disciplina

780.06

Soggetti

Technology - Sociological aspects

Digital media

Music

Popular culture

Communication

Science, Technology and Society

Digital and New Media

Popular Culture

Media and Communication



Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

1. Introduction -- 2. Artist -- 3. Audience -- 4. Music Culture & Digital Technology -- 5. Artists & Accomplices.

Sommario/riassunto

This book explores how the rise of widely available digital technology impacts the way music is produced, distributed, promoted, and consumed, with a specific focus on the changing relationship between artists and audiences. Through in-depth interviewing, focus group interviewing, and discourse analysis, this study demonstrates how digital technology has created a closer, more collaborative, fluid, and multidimensional relationship between artist and audience. Artists and audiences are simultaneously engaged with music through technology-and technology through music-while negotiating personal and social aspects of their musical lives. In light of consistent, active engagement, rising co-production, and collaborative community experience, this book argues we might do better to think of the audience as accomplices to the artist. Mary Beth Ray is Assistant Professor of Communication & Media Studies at Plymouth State University in Plymouth, NH, USA.