1.

Record Nr.

UNINA9910255063503321

Autore

Aldana Reyes Xavier

Titolo

Spanish Gothic : National Identity, Collaboration and Cultural Adaptation / / by Xavier Aldana Reyes

Pubbl/distr/stampa

London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017

ISBN

9781137306012

1137306017

Edizione

[1st ed. 2017.]

Descrizione fisica

1 online resource (X, 241 p.)

Collana

Palgrave Gothic, , 2634-6222

Disciplina

791.4301

Soggetti

Motion pictures

Ethnology - Europe

Culture

Motion pictures - History

Literature - History and criticism

Motion picture plays, European

European literature

Film Theory

European Culture

Film and TV History

Literary History

European Film and TV

European Literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references at the end of each chapters and index.

Nota di contenuto

1. INTRODUCTION: DEFINING AND DELIMITING THE SPANISH GOTHIC -- 2. PART I - FIRST WAVE GOTHIC (1785–1834) - Chapter 1. Imported Terrors and First Genre Hybrids -- 3. Chapter 2. The Early Spanish Gothic Novel (1800–34) -- 4. PART II - FROM ROMANTICISM TO THE FIN-DE-SIÈCLE (1834–1900) - Chapter 3. Spanish Romanticism and the Gothic -- 5. Chapter 4. From the 1860s to the Fin-de-Siècle: The Development of the Gothic Short Story -- 6. PART III - MODERN AND



CONTEMPORARY GOTHIC LITERATURE (1900–2016) - Chapter 5. The Twentieth Century (1900–75): Modernist Spiritualism and Political Gothic -- 7. Chapter 6. From the Death of Franco to the Present: The Establishment of Horror and the Gothic Auteur -- 8. PART IV - SPANISH GOTHIC CINEMA (1906–2016) - Chapter 7. From Segundo de Chomón to the Rise and Fall of ‘Fantaterror’ -- 9. Chapter 8. The Post-Millennial Horror Revival: Auteurs, Gothic (Dis)Continuities and National History -- 10. Conclusion: A Language of Collaboration and Liberation. .

Sommario/riassunto

This book presents the first English introduction to the broad history of the Gothic mode in Spain. It focuses on key literary periods, such as Romanticism, the fin-de-siècle, spiritualist writings of the early-twentieth century, and the cinematic and literary booms of the 1970s and 2000s. With illustrative case studies, Aldana Reyes demonstrates how the Gothic mode has been a permanent yet ever-shifting fixture of the literary and cinematic landscape of Spain since the late-eighteenth century. He proposes that writers and filmmakers alike welcomed the Gothic as a liberating and transgressive artistic language.