1.

Record Nr.

UNINA9910254786003321

Autore

Williams Georgina

Titolo

Propaganda and Hogarth's Line of Beauty in the First World War / / by Georgina Williams

Pubbl/distr/stampa

London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016

ISBN

9781137571946

1137571942

Edizione

[1st ed. 2016.]

Descrizione fisica

1 online resource (IX, 176 p. 11 illus., 6 illus. in color.)

Disciplina

355

Soggetti

Military history

History, Modern

Great Britain - History

Military History

Modern History

History of Britain and Ireland

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Includes index.

Nota di contenuto

Introduction -- 1. The Genealogy of the Line and the Role of Resemblances -- 2. The Poster as a Functional Object -- 3. The Static Representation of Movement in Art and War -- 4. Representing the Real in the Aesthetics of Conflict -- 5. Propaganda and the Wider Visual Ecology of the Era -- Conclusion. .

Sommario/riassunto

Propaganda and Hogarth’s ‘Line of Beauty’ in the First World War assesses the literal and metaphoric connotations of movement in William Hogarth’s eighteenth-century theory of a ‘line of beauty’, and subsequently employs it as a mechanism by which the visual propaganda of this era can be innovatively explored. Hogarth’s belief that this line epitomises not only movement, but movement at its most beautiful, creates conditions of possibility whereby the construct can be elevated from traditional analyses and consequently utilised to examine movement in artworks from both literal and metaphorical perspectives. Propagandist promotion of an alternate reality as a challenge to a current ‘real’ lends itself to these dual viewpoints; the early years of the



twentieth century saw growth in the advertising of conflict via the pictorial poster, instigating intentionally or otherwise an aesthetic response from soldier-artists embroiled on the battlefields. The ‘line of beauty’therefore serves as a productive mechanism by which this era of propaganda art can be appraised.