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1. |
Record Nr. |
UNISA996392962103316 |
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Autore |
Argyll Archibald Campbell, Marquis of, <1598-1661.> |
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Titolo |
The Marquesse of Argyle his speech [[electronic resource] ] : concerning the King, the Covenant, and peace or warre betweene both kingdomes. Also, a letter to the Parliament of England, from Mr. Marshall. Some votes past in Scotland, and the particular parties which would engage against England, and who are against it |
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Pubbl/distr/stampa |
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London, : Printed by Barnard Alsop, 1648 |
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Descrizione fisica |
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Altri autori (Persone) |
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Soggetti |
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Scotland Foreign relations England Early works to 1800 |
England Foreign relations Scotland Early works to 1800 |
Great Britain History Civil War, 1642-1649 Early works to 1800 |
Scotland Politics and government 1625-1649 Early works to 1800 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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First word of title is xylographic. |
Annotation on Thomason copy: "March 9th". |
Reproduction of the original in the British Library. |
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Sommario/riassunto |
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2. |
Record Nr. |
UNINA9910495746103321 |
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Autore |
Dahlhaus Carl |
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Titolo |
L'idée de la musique absolue : Une esthétique de la musique romantique / Carl Dahlhaus |
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Pubbl/distr/stampa |
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Genève, : Éditions Contrechamps, 2016 |
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ISBN |
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Descrizione fisica |
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1 online resource (160 p.) |
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Altri autori (Persone) |
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AlbèraPhilippe |
BarrasVincent |
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Soggetti |
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Music |
History |
musique |
philosophie |
esthétique |
romantisme |
XIXème siècle |
histoire |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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C'est avec les œuvres de Haydn, Mozart et Beethoven, qualifiées de « romantiques » par E.T.A. Hoffmann au début du xixe siècle, que la musique instrumentale a supplanté la musique vocale. Ainsi est née, en relation avec l'ensemble des conceptions philosophiques, esthétiques et poétiques du Romantisme, l'idée d'un art musical « autonome », d'une « musique absolue » dont les significations ne sont plus liées à un texte ou à une fonction. Cari Dahlhaus retrace l'histoire d'un concept qui est au fondement de notre culture musicale, et ce à partir des textes fondateurs de Tieck et Wackenroder, Hoffmann, Herder, Novalis ou Schlegel, jusqu'au symbolisme français de Mallarmé et Valéry, en passant par les réflexions théoriques de Wagner, Schopenhauer, Hegel, Nietzsche et Hanslick. Il souligne ce que cette conception de la musique doit à la quête romantique de l'Absolu, à une |
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métaphysique de l'art où les idées philosophiques et théologiques sont réinterprétées dans le médium artistique.Cet ouvrage fondamental du musicologue allemand replace les questions musicales à l'intérieur du mouvement général de la pensée, et éclaire la généalogie de nos idées contemporaines sur l'œuvre, sur la forme du concert, et sur la signification de la musique, idées qui sont devenues, dans bien des cas, une « seconde nature ». |
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3. |
Record Nr. |
UNINA9910254781203321 |
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Titolo |
Kenya After 50 : Reconfiguring Historical, Political, and Policy Milestones / / edited by Michael Mwenda Kithinji, Mickie Mwanzia Koster, Jerono P. Rotich |
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Pubbl/distr/stampa |
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New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2016 |
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ISBN |
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Edizione |
[1st ed. 2016.] |
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Descrizione fisica |
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1 online resource (276 p.) |
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Collana |
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African Histories and Modernities, , 2634-5781 |
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Disciplina |
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Soggetti |
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Africa - History |
Africa - Politics and government |
Political planning |
International relations |
African History |
African Politics |
Public Policy |
International Relations |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references at the end of each chapters and index. |
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Nota di contenuto |
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Cover ; Title Page; Copyright Page; Table of Contents; Introduction; Part I Contesting History and Memories; 1 The Demise and Rise of Majimbo in Independent Kenya; 2 Recasting the Mau Mau Uprising: Reparations, |
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Narration, and Memory; 3 Rethinking the Shifta War Fifty Years after Independence: Myth, Memory, and Marginalization; 4 "Rendillelane": Spatial Views from the Periphery of Kenya; 5 Politics and the Lack of Labor Militancy in Kenya: Trade Unionism after Independence; Part II Reassessing Politics and Policies |
6 The Strategic Art of Appeasing Old Lovers while Courting New Friends: Kenya's Foreign Relations in Retrospect7 Kenya at Fifty and the Betrayal of Nationalism: The Paradoxes of Two Family Dynasties; 8 Elusive Justice: The Maasai Contestation of Land Appropriation in Kenya: A Historical and Contemporary Perspective; 9 Kenya at Fifty: State Policing Reforms, Politics, and Law, 1963-2013; 10 Continuity and Change in Kenya's Defense and Foreign Policies: The Impact of the New Security Dilemma; List of Contributors; Index |
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Sommario/riassunto |
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This book applies an interdisciplinary approach to evaluate the journey that Kenya has traveled as a nation since the end of colonialism on December 12, 1963. The book demonstrates that Kenya's postcolonial experience is marked with moments of tremendous feats amidst economic and political challenges that have on occasion strained the national fabric. While Kenya has distinguished itself as a commerce and industry hub in East Africa, the country is confronted with many challenges including job scarcity, ethnic differences nurtured by the political class, and widespread corruption. |
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