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1. |
Record Nr. |
UNINA9910792026003321 |
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Autore |
Patai Raphael <1910-1996.> |
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Titolo |
The Hebrew goddess / / Raphael Patai |
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Pubbl/distr/stampa |
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Detroit : , : Wayne State University Press, , 1990 |
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©1990 |
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ISBN |
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Edizione |
[3rd enl. ed. /] |
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Descrizione fisica |
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1 online resource (368 pages, 32 unnumbered pages of plates) : illustrations |
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Collana |
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Jewish folklore and anthropology |
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Disciplina |
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Soggetti |
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Myth in the Old Testament |
Jewish mythology |
Mother goddesses - Palestine |
Cabala - History |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 339-349) and index. |
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Nota di contenuto |
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Introduction The goddess Asherah Astarte-Anath The Cherubim The Shekhinathe Kabbalistic tetrad Matronitthe goddess of the Kabbala The myth of God and the Shekhina Yihudimunifications the Shekhina as Maggid and vision Lilith The Sabbath virgin, bride, queen, and goddess Appendix: The goddess in the Dura synagogue? |
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"The Hebrew Goddess demonstrates that the Jewish religion, far from being pure monotheism, contained from earliest times strong polytheistic elements, chief of which was the cult of the mother goddess. Lucidly written and richly illustrated, this third edition contains new chapters of the Shekhina."--Publisher description |
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2. |
Record Nr. |
UNINA9910798896303321 |
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Titolo |
New patterns in global television formats / / edited by Karina Aveyard, Pia Majbritt Jensen and Albert Moran |
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Pubbl/distr/stampa |
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Bristol, England ; ; Chicago, Illinois : , : Intellect, , 2016 |
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©2016 |
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ISBN |
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1-78320-713-2 |
1-78320-714-0 |
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Descrizione fisica |
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1 online resource (324 pages) |
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Disciplina |
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Soggetti |
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Television program genres |
Television broadcasting - Social aspects |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references at the end of each chapters and index. |
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Nota di contenuto |
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; Foreword / Toby Miller -- ; Introduction. A changing format mosaic / Karina Aveyard, Pia Majbritt Jensen and Albert Moran -- Overviews. Television format as a transnational production model / Mats Nylund ; The hybrid status of global television formats / Claudio Coletta ; Formatting reality: on reality television as a format, a genre and a meta-genre / Daniel Biltereyst and Lennart Soberon ; Seventy years in the making: the advent of the transnational television format trading system / Jean K. Chalaby -- History. Medea's children: the Italian version of The war of the worlds / Milly Buonanno ; Cultural negotiation in an early programme format: the Finnish adaptation of Romper room / Heidi Keinonen ; Song contests in Europe during the Cold War / Yulia Yurtaeva and Lothar Mikos -- "Do it, but do it dancing!": television and format adaptations in Colombia in the 1980s and early 1990s / Hernan David Espinosa-Medina and Enrique Uribe-Jongbloed -- Industry players, big and small. From marginal trader to corporate giant: the emergence of FremantleMedia / Albert Moran and Karina Aveyard ; Formats and localization in the children's audiovisual sector / Jeanette Steemers ; Wallander at the BBC: trading fiction formats and producing culture for UK Public Service Broadcasting in the contemporary age / Janet McCabe ; Television formats as media ritual work practices: |
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discourses of freedom, nationalism and good neighbours / Tiina Räisä -- Territories and markets. The social contexts of format adaptation: remaking formats to fit in China / Michael Keane and Coco Ma ; The political economy of television formats in Africa: the case of Big brother and Idols / Martin Nkosi Ndlela ; Global reality television and the concept of recursion: Idols in African contexts / Tess Conner ; Decentring innovation: The Israeli television industry and the format-drive transnational turn in content development / Sharon Shahaf -- Producers and audiences. Take a look at the lawman: interrogating critical responses to the US version of Life on Mars / Christopher Hogg ; Sense of place: producters and audiences of international drama format The bridge ; The duality of banal transnationalism and banal nationalism: television audiences and the musical talent competition genre / Andrea Esser, Pia Majbritt Jensen, Heidi Keinonen and Anna Maria Lemor ; The Voice of queer Italy: the politics of the representation of GLBTQI (Gay, Lesbian, Transgender, Queer and Intersexual) characters in Italian talent shows and their reception in online discussions / Elisa Giomi and Marta Perrotta. |
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Sommario/riassunto |
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The past twenty years have seen major changes in the ways that television formats and programming are developed and replicated internationally for different markets with locally focused repackagings of hit reality shows leading the way. But in a sense, that's not new: TV formats have been being exported for decades, with the approach and methods changing along with changes in broadcast technology, markets, government involvement, and audience interest. This book brings together scholars of TV formats from around the world to analyze and discuss those changes and offer an up-to-the-minute analysis of the current state of TV formats and their use and adaptation worldwide. |
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3. |
Record Nr. |
UNINA9910251404903321 |
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Autore |
Karlinsky Simon |
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Titolo |
Freedom from violence and lies : essays on Russian poetry and music / / by Simon Karlinsky ; edited by Robert P. Hughes, Thomas A. Koster, Richard Taruskin |
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Pubbl/distr/stampa |
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Boston, MA, : Academic Studies Press, 2013 |
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Brighton, Massachussetts : , : Academic Studies Press, , 2013 |
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©2013 |
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ISBN |
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1-61811-676-2 |
1-61811-180-9 |
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Descrizione fisica |
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1 online resource (502 pages) |
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Collana |
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Classificazione |
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Altri autori (Persone) |
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HughesRobert P |
KosterThomas A |
TaruskinRichard |
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Disciplina |
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Soggetti |
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Russian poetry - 20th century - History and criticism |
Modernism (Literature) - Russia |
Music and literature |
Anthologies |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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Pushkin and romanticism -- Modernism, its past, its legacy -- Poetry abroad -- On Chaikovsky -- On Stravinsky -- On Shostakovich -- Song and dance. |
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Sommario/riassunto |
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Freedom from Violence and Lies is a collection of forty-one essays by Simon Karlinsky (1924-2009), a prolific and controversial scholar of modern Russian literature, sexual politics, and music who taught in the University of California, Berkeley's Department of Slavic Languages and Literatures from 1964 to 1991. Among Karlinsky's full-length works are major studies of Marina Tsvetaeva and Nikolai Gogol, Russian Drama from Its Beginnings to the Age of Pushkin; editions of Anton Chekhov's letters; writings by Russian émigrés; and correspondence between Vladimir Nabokov and Edmund Wilson. Karlinsky also wrote frequently for professional journals and mainstream publications like |
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the New York Times Book Review and the Nation. The present volume is the first collection of such shorter writings, spanning more than three decades. It includes twenty-seven essays on literary topics and fourteen on music, seven of which have been newly translated from the Russian originals. |
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