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Record Nr. |
UNISA990002356820203316 |
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Autore |
SUMAMPOUW, Mathilde |
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Titolo |
Vol.2 : Jurisprudence, situation actuelle, bibliographie : leur applications par les juges nationaux / Mathilde Sumampouw |
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Pubbl/distr/stampa |
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Alphen aan den Rijn : Sijthoff & Noordhoff, 1980 |
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Descrizione fisica |
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Disciplina |
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Soggetti |
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Convenzione de l'Aia - Applicazione |
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Collocazione |
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XXIII.3.A. 36 (IG VIII 26 307) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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In testa al front.: Institut interuniversitaire de droit, International T.M.C. asser Instituut |
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2. |
Record Nr. |
UNINA9910563180503321 |
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Autore |
Mayr Franz <1865-1914.> |
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Titolo |
"Adieu ihr lieben Schwarzen" : Gesammelte Schriften des Tiroler Afrika-Missionars Franz Mayr (1865-1914) / / herausgegeben und kommentiertvon Clemens Gütl |
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Pubbl/distr/stampa |
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Austria : , : Böhlau Verlag, , 2004 |
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Descrizione fisica |
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1 online resource (405 pages) : digital, PDF file(s) |
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Soggetti |
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Religion |
Philosophy & Religion |
Christianity |
KwaZulu-Natal (South Africa) Church history |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references. |
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Sommario/riassunto |
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Franz Mayr was "one of the most interesting of catholic missionaries in Southern Africa" states Professor Joy Brain ("University of Durban") in the foreword she wrote for this first edition of his writings. Mayr was born in the Austrian province of Tyrol in 1865, educated as a priest in the diocese of Brixen and arrived in Natal (South Africa) at the beginning of May 1890, inspired by the work being done there by the Trappist-Monks led by Abbot Franz Pfanner. Mayr was physically handicapped and soon left the trappists but just to offer his services to the vicar apostolic of Natal, Bishop Charles Jolivet, who accepted him for work among the African population. He was sent to Pietermaritzburg then capital of the British colony to take over the care of the African parishioners to bring the "good news" to those who had never heard it. He founded several new mission-stations in Natal, Southern Rhodesia (present day Zimbabwe) and Swaziland where he was killed by a native robber in 1914. Mayr - a man of many talents - was a gifted linguist, studied and published books in several African languages. He was interested in cultural anthropology and collected information about African customs. It is now more than a hundred |
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years since Franz Mayr began his work of evangelisation and scholarship in Southern Africa. Publishing his letters and articles - kept by several archives in Europe - should help to remember a man of the Habsburg-Monarchy who went to preach the gospel to the so called heathen of Africa. Although Austria or Austria-Hungary never owned colonies in Africa many of its inhabitants left their homes to work in catholic mission-stations around the continent. Several introductory chapters in this book explain the particular historical context which has to be put into consideration when reading Mayrs' writings. From there we learn about his life, his work, how he treated the native population, what he thought about other religious congregations around him, the colonialists and about troubles when trying to convince people to believe in the only - the "European God". The missionary deserves to be better known. The present edition of historical sources is to be seen as a most relevant step allowing us to interpret his personality adequately. |
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3. |
Record Nr. |
UNINA9910251403203321 |
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Autore |
D'Artois Florence <1980-> |
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Titolo |
Du nom au genre : Lope de Vega, la tragedia et son public / / Florence D'Artois |
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Pubbl/distr/stampa |
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Casa de Velázquez, 2017 |
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Madrid : , : Casa de Velázquez, , 2017 |
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ISBN |
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Descrizione fisica |
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Collana |
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Bibliothèque de la Casa de Velázquez, , 1132-7340 ; ; volume 68 |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Sommario/riassunto |
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À une époque où toutes les pièces étaient normalement désignées par une étiquette hypergénérique, celle de comedia, Lope de Vega (1562-1635) a écrit six pièces qu’il a appelées tragedias et une trentaine de tragicomedias. Or la tragédie en Espagne était peu représentée hors du cadre des théâtres commerciaux, les corrales de comedias. Dans ces |
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conditions, comment une idée de la tragédie suffisamment consistante pour être mobilisée dans les mécanismes de composition et de réception du théâtre de Lope a-t-elle pu se former ? Cet ouvrage explore d’abord la formation de compétences génériques du public du corral, à partir de deux ensembles en amont de la tragédie lopesque : les œuvres tragiques écrites entre 1575 et 1585 et les comedias tragiques écrites au tournant du siècle. Il revient ensuite à la tragédie lopesque proprement dite, analysant la formule que Lope instrumentalise à l’envi pour séduire divers types de public, en jouant de la plasticité d’une forme qui se laisse adapter ad hoc. En una época en que todas las obras se designaban indistintamente con la etiqueta hipergenérica de «comedia», Lope de Vega escribió seis obras teatrales que llamó «tragedias» y unas treinta «tragicomedias». Sin embargo, la tragedia española se consideraba como un género ajeno al mundo de los teatros comerciales, los «corrales de comedias». En estas condiciones, ¿cómo pudo tomar cuerpo una idea de la tragedia suficientemente sólida en los mecanismos de composición y recepción del teatro de Lope? Este libro explora en primer lugar la formación de la capacidad del público del corral para apreciar géneros a partir de dos conjuntos de piezas: el de la obras trágicas escritas al final del reinado de Felipe II y el de las comedias trágicas a finales del siglo XVI. En un segundo momento, se centra en la tragedia lopesca propiamente dicha, una fórmula que Lope instrumentaliza a su antojo en el segundo decenio del siglo XVII para seducir varios tipos de públicos, jugando con la… |
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