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1. |
Record Nr. |
UNINA9910795309603321 |
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Autore |
Pearson Andrea G. |
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Titolo |
Gardens of love and the limits of morality in early Netherlandish art / / by Andrea Pearson |
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Pubbl/distr/stampa |
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Leiden ; ; Boston : , : Brill, , [2019] |
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ISBN |
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Descrizione fisica |
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1 online resource (378 pages) |
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Collana |
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Brill's studies in intellectual history, , 0920-8607 ; ; volume 296 |
Brill's studies on art, art history, and intellectual history ; ; volume 37 |
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Disciplina |
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Soggetti |
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Human figure in art |
Art, Netherlandish |
Art and morals - Benelux countries |
Arts and religion - Benelux countries |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front Matter -- Copyright page -- Dedication -- Acknowledgements -- Figures -- The Erotics of Virtue -- Moralized Love -- Disability and Redemption -- Monastic Morality -- Holy Matrimony -- Infancy Moralized -- Kissing Kids -- The Limits of Mother-Son Eroticism -- Back Matter -- Bibliography -- Index. |
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Sommario/riassunto |
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In Gardens of Love and the Limits of Morality in Early Netherlandish Art , Andrea Pearson charts the moralization of human bodies in late medieval and early modern visual culture, through paintings by Jan van Eyck and Hieronymus Bosch, devotional prints and illustrated books, and the celebrated enclosed gardens of Mechelen among other works. Drawing on new archival evidence and innovative visual analysis to reframe familiar religious discourses, she demonstrates that depicted topographies advanced and sometimes resisted bodily critiques expressed in scripture, conduct literature, and even legislation. Governing many of these redemptive greenscapes were the figures of Christ and the Virgin Mary, archetypes of purity whose spiritual authority was impossible to ignore, yet whose mysteries posed innumerable moral challenges. The study reveals that bodily status was the fundamental problem of human salvation, in which artists, patrons, |
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and viewers alike had an interpretive stake. |
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2. |
Record Nr. |
UNINA9910220514003321 |
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Autore |
Eriksson Niklas |
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Titolo |
Riksäpplet : Arkeologiska perspektiv på ett bortglömt regalskepp |
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Pubbl/distr/stampa |
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Gothenburg, : Kriterium, 2017 |
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ISBN |
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Descrizione fisica |
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Soggetti |
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History |
Early modern history: c 1450/1500 to c 1700 |
Archaeology |
Underwater archaeology |
Archaeological science, methodology & techniques |
Military & naval ships |
Stockholm (Sweden) Antiquities |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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"Riksäpplet deals with a shipwreck that has a neglected position in the grand narrative of the history of the Swedish navy. The story of its destiny and the missing accounts in scholarly and popular works in history says something about heritage processes within Swedish maritime archaeology. On 5 June 1676 Riksäpplet came loose and adrift from its moorings outside Dalarö Sea fortress. The hull struck a rock and sank. The loss was considered both ignominious and embarrassing and the ship’s fate has been overlooked in all major history books. The rock onto which Riksäpplet sank was named ‘Äpplet’ after the incident, and the wreck itself has become an integrated component of the underwater seascape. As a consequence the wreckage has never enjoyed a proper ‘discovery’ or undergone documentation under the sensational forms that many other famous shipwrecks have, even |
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though they have sunk in more inconvenient places.
In Eriksson’s study the official handling of Riksäpplet’s wrecked body is compared to the more wellknown ships Kronan and Svärdet, which both sank during battle only days before. Eriksson draws on different motifs and driving forces behind the study of naval wrecks from the period from his comparison, and the differences are discussed. Riksäpplet has never achieved a prominent position with the romanticising works of history that honour the national heroes and their deeds which are associated with this era of the Swedish Empire. The first half of the book thus sets out to unpack the ideas that have led to the relative disinterest in Riksäpplet in comparison to other shipwrecks.
The second half of the book sets out to analyse Riksäpplet from a specific archaeological perspective, with focus on the ship as material culture. Eriksson’s departure is to explore the relatively low budget fieldwork that has been done at the wreck site. He the combines those facts with a survey of the artefacts recovered from the wreck, of which all are kept in museum archives and private collections. This, in addition to his studies of preserved written correspondence concerning the construction of the ship, has brought new insights into seventeenth-century shipbuilding and how the balance between the global political superpowers affected this trade. In this context Riksäpplet has great potential to show how military alliances are materialized through ships’ architecture. |
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