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1. |
Record Nr. |
UNINA990009291760403321 |
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Titolo |
Le leggi sul diritto di autore : aggiornamento a maggio 2007 / a cura di Valeria Bellani |
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Pubbl/distr/stampa |
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Descrizione fisica |
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Disciplina |
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Locazione |
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Collocazione |
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DIR. DI AUT. 3/2007 |
VIII I 495 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Suppl di: Il diritto di autore, n. 3/2007 |
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2. |
Record Nr. |
UNINA990002628580403321 |
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Autore |
Wright, Robert W. |
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Titolo |
Investiment Decision in Industry / di WRIGH T |
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Pubbl/distr/stampa |
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Londra : Chapman & Hall, 1964 |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910220006803321 |
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Autore |
Holl Ute |
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Titolo |
Cinema, trance and cybernetics [[electronic resource] /] / Ute Holl |
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Pubbl/distr/stampa |
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Amsterdam, : Amsterdam University Press, 2017 |
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Amsterdam, Netherlands : , : Amsterdam University Press, , 2017 |
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ISBN |
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Descrizione fisica |
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1 online resource (326 pages) : illustrations; digital, PDF file(s) |
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Collana |
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Recursions: theories of media, materiality, and cultural techniques |
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Disciplina |
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Soggetti |
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Motion pictures - Psychological aspects |
Motion pictures - Aesthetics |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Translated from the German. |
Originally published in print format: 2002. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Sommario/riassunto |
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Ute Holl explores cinema as a cultural technique of trance, unconsciously transforming everyday spatio-temporal perception. The archaeology of experimental and anthropological cinema leads into psycho-physiological laboratories of the 19th century. Through personal and systematic catenations, avant-garde filmmaking is closely |
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linked to the emerging aesthetics of feedback in cybernetic models of the mind developed at the same time. Holl analyses three major fields of experimental and anthropological filmmaking: the Soviet avant-garde with Dziga Vertov and his background in Russian psycho-reflexology and theory of trance; Jean Rouch and his theory of cine-trance and the feed-back; and the New American Cinema with Maya Deren and Gregory Bateson conceptualising the organisation of time, space, movement and feedback trance in anthropological filmmaking. |
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