1.

Record Nr.

UNINA9910480799403321

Titolo

Gestalt therapy [[electronic resource] ] : history, theory, and practice / / edited by Ansel L. Woldt, Sarah M. Toman

Pubbl/distr/stampa

Thousand Oaks, Calif. ; ; London, : SAGE, c2005

ISBN

1-4522-2566-4

1-4522-6223-3

Descrizione fisica

1 online resource (425 p.)

Altri autori (Persone)

WoldtAnsel L

TomanSarah M

Disciplina

616.89143

Soggetti

Gestalt therapy

Psychotherapy

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references (p.321-344) and indexes.

Nota di contenuto

COVER; CONTENTS; PROLOGUE-FOREWORD; PRE-TEXT; Part I: FOUNDATIONS OF GESTALT THERAPY; 1 - The History and Development of Gestalt Therapy; 2 - Classical Gestalt Therapy Theory; 3 - Contemporary Gestalt Therapy: Field Theory; 4 - Phenomenology, Existentialism, and Eastern Thought in Gestalt Therapy; 5 - Gestalt Therapy Theory of Change; 6 - Gestalt Therapy Methodology; 7 - Cultural Influences and Considerations in Gestalt Therapy; 8 - Gestalt Therapy and Spirituality; Part II: GESTALT APPLICATIONS WITH SPECIFIC POPULATIONS; 9 - Gestalt Therapy With Children

10 - Adolescents: Development and Practice From a Gestalt Orientation11 - Family and Couples Therapy From a Gestalt Perspective; 12 - Gestalt Therapy in Groups; 13 - Gestalt Approaches With Organizations and Large Systems; 14 - Gestalt Therapy in Community Mental Health; 15 - Gestalt Approaches to Substance Use/Abuse/Dependency: Theory and Practice; 16 - Gestalt Educational Therapy; COMPREHENSIVE REFERENCE AND GESTALT BOOK LIST; APPENDIX A: Digital Gestalt: Online Resources forthe Discipline of Gestalt Therapy, A Comprehensive International Listing

APPENDIX B: Gestalt Experience and Observation Guide for



ChildrenAUTHOR INDEX; SUBJECT INDEX

Sommario/riassunto

Introducing the historical underpinnings & fundamental concepts of Gestalt therapy, this volume takes both a conceptual & a practical approach to the examination of classic & cutting-edge constructs.

2.

Record Nr.

UNINA9910213857903321

Titolo

Does War Belong in Museums? : The Representation of Violence in Exhibitions / Wolfgang Muchitsch

Pubbl/distr/stampa

Bielefeld, : transcript Verlag, 2014

2014, c2013

ISBN

9783839423066

3839423066

Edizione

[1st ed.]

Descrizione fisica

1 online resource (225 p.)

Collana

Edition Museumsakademie Joanneum

Disciplina

355.02074

Soggetti

Museum

War

Conflict

Exhibition

Violence

Cultural History

Museology

Memory Culture

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

International conference proceedings.

Nota di bibliografia

Includes bibliographical references.

Nota di contenuto

1 Editorial    2 Content    5 Does War Belong in Museums? The Representation of Violence in Exhibitions    9 Introduction    13 Museums and the Representation of War    21 Military Museums and Social History    41 Contents and Space: New Concept and New Building of the Militärhistorisches Museum of the Bundeswehr    63 From Technical Showroom to Full-fledged Museum: The German Tank Museum Munster    83 The Museum of Military History/Institute of



Military History in Vienna: History, Organisation and Significance    99 The Concept for a New Permanent Exhibition at the Museum Altes Zeughaus    107 About the Beauty of War and the Attractivity of Violence    123 The Bomb and the City: Presentations of War in German City Museums    131 War in Context: Let the Artifacts Speak    145 War Museums and Photography    155 The Monument is Invisible, the Sign Visible. Monuments in New Perspectives    173 Politics of Memory and History in the Museum - The New "Museum of the History of the Great Patriotic War" in Minsk/Belarus    185 Framing the Military-Nation: New War Museums and Changing Representational Practices in Turkey since 2002    203 Contributors    219

Sommario/riassunto

Presentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also have to face up to these basic issues about the social and institutional handling of war and violence. Does war really belong in museums? And if it does, what objectives and means are involved? Can museums avoid trivializing and aestheticising war, transforming violence, injury, death and trauma into tourist sights? What images of shock or identification does one generate – and what images would be desirable?

»Ein instruktiver Band.«

Reviewed in:H-Soz-u-Kult, 10.10.2013, Christian HirteMitteilungen, 46/2 (2013)