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Record Nr. |
UNINA9910172224803321 |
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Autore |
Johnson E. Patrick <1967-> |
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Titolo |
Appropriating Blackness : performance and the politics of authenticity / / E. Patrick Johnson |
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Pubbl/distr/stampa |
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Durham [N.C.], : Duke University Press, 2003 |
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ISBN |
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9786613064745 |
9780822385103 |
0822385104 |
9781283064743 |
128306474X |
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Descrizione fisica |
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1 online resource (383 p.) |
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Classificazione |
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Disciplina |
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Soggetti |
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African Americans - Race identity |
African Americans - Intellectual life |
African Americans in popular culture |
Authenticity (Philosophy) - Political aspects - United States |
Performing arts - Social aspects - United States |
Performing arts - Political aspects - United States |
United States Race relations |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [345]-359) and index. |
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Nota di contenuto |
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"Blackness" and authenticity : what's performance got to do with it? -- The pot is brewing : Marlon Riggs' Black is ... Black ain't -- Manifest faggotry : queering masculinity in African American culture -- Mother knows best : Blackness and transgressive domestic space -- "Nevah had uh cross word" : mammy and the trope of Black womanhood -- Sounds of Blackness down under : the Cafe of the Gate of Salvation -- Performance and/as pedagogy : performing Blackness in the classroom. |
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Sommario/riassunto |
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A consideration of the performance of Blackness and race in general, in relation to sexuality and critiques of authenticity. |
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