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1. |
Record Nr. |
UNINA9910170758903321 |
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Titolo |
Tranform Techniques in Chemistry / edited by Peter R. Griffiths |
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Pubbl/distr/stampa |
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New York : Pleneum Press, 1978 |
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ISBN |
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Descrizione fisica |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910460840303321 |
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Titolo |
Despite all adversities : Spanish-American adversities queer cinema / / edited by Andrés Lema-Hincapié and Debra A. Castillo ; contributors, Daniel Balderston [and fifteen others] |
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Pubbl/distr/stampa |
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Albany, New York : , : SUNY Press, , 2015 |
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©2015 |
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ISBN |
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Descrizione fisica |
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1 online resource (322 p.) |
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Collana |
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SUNY series, Genders in the Global South |
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Disciplina |
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Soggetti |
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Hispanic Americans in the motion picture industry |
Homosexuality in motion pictures |
Gays in motion pictures |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references at the end of each chapters and index. |
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Nota di contenuto |
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Contents; Acknowledgments; Introduction; Meeting the Macho; LGBTQ in Latin America; About this Book; Appendix: Further Readings; Notes; Part I: Queer Subjectivity, Desire, and Eroticism ; 1. Queer Couples in Señora de Nadie (María Luisa Bemberg, 1982) ; Notes; Works Cited; 2. Fresa y chocolate: The Allure of Passions and Controversies (Tomás Gutiérrez Alea and Juan Carlos Tabío, 1993) ; No Stranger to Critique; The Fragile Culture of Critical Engagement; Persuasions of Melodrama; Reality in Counterpoint; Watershed Film; Notes; Works Cited |
3. A Gaynster Quasi-Tragedy: Eroticism and Secrets in Plata quemada (Marcelo Piñeyro, 2000) Greek Tragedy and the Reviews; Piñeyro's Cinematography ; Oscillating Desire in the Plot; The Sexual Dynamic of the Male Bodies; Obstacles of an Oscillating Eros; Notes; Works Cited; 4. Pathology, Poetry, and Pleasure: HIV/AIDS, Confessional Writing, and S/M in Un año sin amor (Anahí Berneri, 2005) ; Mise en abîme ; Argentina at the Turn of the Millennium; Argentina's Queerness from a Global Perspective ; The Global Cinema of HIV/AIDS; Medicine and Literature; Poetry: Pablo Neruda/Pablo Pérez |
Pablo's Writings: Poetry and Personals Pablo's Writing: Poetry and the Diary ; Leather and Masochism; Conclusion; Notes; Works Cited; Part II: Gay Authorship-Queer Agency and Spectatorship ; 5. La venganza del sexo: The Curious Mutation from Horror Fantasy into Sexploitation Film (Emilio Vieyra, 1967) ; Crime Thriller and Horror Fantasy; The Mad Doctor and His Henchmen; The Journalist as Voyeur; Double Versions; Notes; Works Cited; 6. Inside-Out: A Socio-Spatial Reading of Mecánicas celestes (Fina Torres, 1995) ; Inside the Box; Outside the Box; Reinventing the Box; Notes; Works Cited |
7. La Virgen de los Sicarios: From Novel to Film (Barbet Schroeder, 2000) Notes; Works Cited; 8. A Case Study in Transnational Gay Auteurism: Mil nubes de paz cercan el cielo, amor, jamás acabarás de ser amor (Julián Hernández, 2004) ; Notes; Works Cited; 9. Haunted: XXY (Lucía Puenzo, 2007) ; Notes; Works Cited; Part III: Bisexuality Experiences and Lesbian Identities ; 10. Excluded Middle? Bisexuality in Doña Herlinda y su hijo (Jaime Humberto Hermosillo, 1984) ; Notes; Works Cited; 11. The Construction of the Bisexual Subject in No se lo digas a nadie (Francisco Lombardi, 1998) |
Works Cited12. Lesbians Made in Mexico: Sexual Diversity and Transnational Fluxes; Made in Mexico; Female Homosexuality: An Irreparable Evil; All Inclusive in the Mexican Caribbean; Unified Perceptions in a Transnational frame; Ad hoc Products for International Audiences; Notes; Works Cited; Part IV: Queer Relations with Families ; 13. Clothes Make the Man: Closet, Cabaret, Cinema in El lugar sin límites (Arturo Ripstein, 1977) ; Works Cited; 14. Families, Landowners, Servants, and Siblings in La ciénaga (Lucrecia Martel, 2001) ; Swampy Scenes and Ambiguous Boundaries |
Boggy Symbiosis: Affection and Contempt |
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