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1. |
Record Nr. |
UNINA9910140562403321 |
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Autore |
Aikman J. S (Jonathan S.) |
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Titolo |
When prime brokers fail [[electronic resource] ] : the unheeded risk to hedge funds, banks, and the financial industry / / J.S. Aikman |
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Pubbl/distr/stampa |
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New York, : Bloomberg Press, c2010 |
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ISBN |
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0-470-92741-0 |
1-119-20440-2 |
1-282-65403-9 |
9786612654039 |
0-470-87905-X |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (307 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Hedge funds |
Brokers |
Investment banking |
Investment advisors |
Financial services industry |
Financial risk |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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When Prime Brokers Fail; Contents; Acknowledgments; Part I: The Business; Chapter 1: Extraordinary Markets; Chapter 2: Fundamentals of Prime Finance; Chapter 3: Strategy and Opportunity; Part II: The Players; Chapter 4: Hedge Funds; Chapter 5: Hedge Fund Managers and Investment Advisers; Chapter 6: Prime Brokerages; Chapter 7: Prime Brokerage Business Model; Chapter 8: Securities Lending and Financing; Chapter 9: Executing Brokers; Part III: The Risks and Rewards; Chapter 10: Life Cycles; Chapter 11: Risk Management; Chapter 12: Legal and Compliance Issues; Chapter 13: What the Future Holds |
Appendix A: Prime Broker ListAppendix B: List of Securities Lenders; Appendix C: Prime Broker Due Diligence Questionnaire; Appendix D: Useful Links-Prime Finance; Bibliography; Glossary of Useful Terms; |
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An informative primer on the new landscape of leading prime brokers Before the recent financial crisis, both regulators and market participants disregarded the complex and dangerous nature of the relationship between prime brokers (the banks) and their clients (the funds). In When Prime Brokers Fail, J. S. Aikman examines the convoluted structure of this relationship, the main participants, and the impact of the near collapse of prime brokerages on the financial world. Filled with in-depth insights and expert advice, When Prime Brokers Fail takes a close look at the unheeded |
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2. |
Record Nr. |
UNINA9910165096703321 |
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Autore |
Gale Patrick |
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Titolo |
Gentleman's relish : stories / / Patrick Gale |
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Pubbl/distr/stampa |
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New York : , : Open Road Integrated Media, , 2016 |
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©2009 |
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ISBN |
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Descrizione fisica |
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1 online resource (107 pages) |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910794125003321 |
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Autore |
Pine Emilie |
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Titolo |
The memory marketplace : witnessing pain in contemporary Irish and international theatre / / Emilie Pine |
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Pubbl/distr/stampa |
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Bloomington, Indiana : , : Indiana University Press, , [2020] |
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©2020 |
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ISBN |
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0-253-04952-0 |
0-253-04951-2 |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (262 pages) |
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Collana |
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Irish culture, memory, place |
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Disciplina |
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Soggetti |
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Pain in literature |
Psychic trauma in literature |
Collective memory in literature |
Collective memory and literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Includes bibliographical references and index. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction: The Market for Pain -- Tell Them That You Saw Us: Witnessing Docu-verbatim Memory -- The Witness as Commodity: Autoperforming Memory -- The Commissioned Witness, Theatre, and Truth -- The Immaterial Labor of Listening: Presence, Absence, Failure, and the Commodification of the Witness -- Consumers or Witnesses: Site-Specific Performance -- Conclusion: Activism in the Marketplace. |
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Sommario/riassunto |
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"What happens when cultural memory becomes a commodity? Who owns the memory? In The Memory Marketplace, Emilie Pine explores how memory is performed both in Ireland and abroad by considering the significant body of contemporary Irish theatre that contends with its own culture and history. Analyzing examples from this realm of theatre, Pine focuses on the idea of witnesses, both as performers on stage and as members of the audience. Whose memories are observed in these transactions, and how and why do performances prioritize some memories over others? What does it mean to create, rehearse, perform, and purchase the theatricalization of memory? The Memory Marketplace shows this transaction to be particularly fraught in the theatricalization of traumatic moments of cultural upheaval, such as |
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the child sexual abuse scandal in Ireland. In these performances, the role of empathy becomes key within the marketplace dynamic, and Pine argues that this empathy shapes the kinds of witnesses created. The complexities and nuances of this exchange-subject and witness, spectator and performer, consumer and commodified-provide a deeper understanding of the crucial role theatre plays in shaping public understanding of trauma, memory, and history". |
Introduction: The Market for Pain -- Tell Them That You Saw Us: Witnessing Docu-verbatim Memory -- The Witness as Commodity: Autoperforming Memory -- The Commissioned Witness, Theatre, and Truth -- The Immaterial Labor of Listening: Presence, Absence, Failure, and the Commodification of the Witness -- Consumers or Witnesses: Site-Specific Performance -- Conclusion: Activism in the Marketplace. |
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