1.

Record Nr.

UNINA9910163988603321

Autore

Tlostanova Madina

Titolo

Postcolonialism and Postsocialism in Fiction and Art : Resistance and Re-existence / / by Madina Tlostanova

Pubbl/distr/stampa

Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017

ISBN

9783319484457

3319484451

Edizione

[1st ed. 2017.]

Descrizione fisica

1 online resource (XI, 224 p. 10 illus.)

Disciplina

809

Soggetti

Literature

Literature - Philosophy

Ethnology - Europe

Culture

World Literature

Literary Theory

European Culture

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Prologue -- Introduction. A leap into the void? -- 1. How to disengage from the coloniality of perception -- 2. Decolonial art in Eurasian borderlands -- 3. Decolonizing the museum -- 4. Postsocialist/Postcolonial tempo-localities -- 5. Tricksters, Jesters, Qalandars -- 6. Coloniality of memory at the postcolonial/postsocialist juncture -- Afterword. An open finale -- Bibliography.

Sommario/riassunto

This book tackles the intersections of postcolonial and postsocialist imaginaries and sensibilities focusing on the ways they are reflected in contemporary art, fiction, theater and cinema. After the defeat of the Socialist modernity the postsocialist space and its people have found themselves in the void. Many elements of the former Second world experience, echo the postcolonial situations, including subalternization, epistemic racism, mimicry, unhomedness and transit, the revival of ethnic nationalisms and neo-imperial narratives, neo-Orientalist and mutant Eurocentric tendencies, indirect forms of



resistance and life-asserting modes of re-existence. Yet there are also untranslatable differences between the postcolonial and the postsocialist human conditions. The monograph focuses on the aesthetic principles and mechanisms of sublime, the postsocialist/postcolonial decolonization of museums, the perception and representation of space and time through the tempolocalities of post-dependence, the anatomy of characters-tricksters with shifting multiple identities, the memory politics of the post-traumatic conditions and ways of their overcoming.