1.

Record Nr.

UNINA9910162736403321

Autore

Kimber Marian Wilson <1960->

Titolo

The Elocutionists : Women, Music, and the Spoken Word / / Marian Wilson Kimber

Pubbl/distr/stampa

Urbana, : University of Illinois Press, 2017

ISBN

0-252-09915-X

Descrizione fisica

1 online resource : illustrations (black and white)

Collana

Music in American life

Classificazione

MUS020000SOC028000

Disciplina

808.54

Soggetti

SOCIAL SCIENCE / Women's Studies

MUSIC / History & Criticism

Oral reading - United States

Choral speaking

Readers' theater

Music theater - United States

Women performance artists - United States

Women and literature - United States - History - 20th century

Women and literature - United States - History - 19th century

Elocutionists - United States

Oral interpretation

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Previously issued in print: 2017.

Nota di bibliografia

Includes bibliographical references and index.

Sommario/riassunto

"Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century.  Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of



wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music"--